All We Imagine as Light
“All We Imagine as Light is a quiet drama about fragility, beauty and kinship, and what it takes to keep going in ordinary, difficult times.” —Manohla Dargis, The New York Times
Artists Speak: In-gallery discussion with artists featured in Diaries of Home
Join us for an exclusive in-gallery talk and tour at the Modern Art Museum of
Pizza on the Patio
Enjoy spring evenings outside and join us for pizza on the patio on March 13, 20, and 27 from 5–8 pm. Café Modern's Executive Chef Jett Mora and his team are featuring three kinds of pizza that will be fired on the patio as well as bar specials.
Featured pizzas include:
Inheritance
Directed by Emily Moss Wilson, 2024
NR; 102 Minutes
Estranged sisters Lucy (Rachel Noll James) and Paige (Austin Highsmith Garces) reunite to bury their father. They become entangled in the complicated web of their past as they uncover buried family secrets and realize that they’ve inherited more from their father than just money.
Admission is free and open to the public.
All About My Mother
All About My Mother
Directed by Pedro Almodóvar, 1999
R; 101 Minutes
Thursday, January 23
Happy Hour, 5 pm
Film, 7 pm
Carrying the Torch
Chamber Music Society of Fort Worth presents Carrying the Torch as part of its 2024–2025 season Journey Through Textural Colors.
Pre-Concert Lecture at 1:15 pm
Performance at 2 pm
Pianist Anton Nel returns to perform with Gary Levinson, Iakov Zats, and Robert deMaine works of Martinu, Schumann, and Mozart.
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Sounds Modern: Sounds of Home
In conjunction with the Modern’s exhibition Diaries of Home, Sounds Modern presents Sounds of Home. This performance features music by women and non-binary composers inspired by aspects of home life, including works by Marti Epstein, Sofia Gubaidulina, Linda Kernohan, Jessica Meyer, Pamela Z, and the feminist improvisation trio Bitches Set Traps.
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Conclave
“Conclave puts us inside a deeply mysterious world—but one which, once turned inside-out, turns out to be surprisingly familiar.” —Moira MacDonald, Seattle Times
Flow
“Flow might be a digital confection, but it’s also open, alive, elemental. In every sense, it’s a breath of fresh air.” – Robbie Collin, Daily Telegraph (UK)
The Return
“Reminiscent of another Pasolini, Pier Paolo, in its minimalist take on a classic story, the film relies mainly on the elemental power of Fiennes and Binoche, both suitably haunting as the long-separated lovers who have lapsed into emotional despair.” —Frank Scheck, Hollywood Reporter