Corsage

In the 1870’s, no woman in Europe was more admired than the Empress Elisabeth of Austria (Vicky Krieps, in yet another brilliant performance). Known as ‘Sisi,’ Elisabeth was ahead of her time, living a life of freedom and power that eluded almost all other women of her age. In CORSAGE, director Marie Kreutzer finds Elisabeth on the verge of her 40th birthday, an age that most believed made the Empress an elderly matron. But with an unquenchable thirst for a life filled with curiosity and passion, Elisabeth refused to let the limits of her time define her.

Much Ado About Nothing

Katherine Parkinson (The IT Crowd) and John Heffernan (Dracula) lead the cast in Shakespeare’s romcom of sun, sea and mistaken identity.

The legendary family-run Hotel Messina on the Italian Riveria has been visited by artists, celebrities and royalty. But when the owner’s daughter weds a dashing young soldier, not all guests are in the mood for love.

A string of scandalous deceptions soon surround not only the young couple, but also the adamantly single Beatrice and Benedick.

Jack Absolute Flies Again

A rollicking new comedy by Richard Bean (One Man, Two Guvnors) and Oliver Chris (Twelfth Night).

After an aerial dog fight, Pilot Officer Jack Absolute flies home to win the heart of his old flame, Lydia Languish. Back on British soil, Jack’s advances soon turn to anarchy when the young heiress demands to be loved on her own, very particular, terms.

Tokyo Godfathers

Tokyo Godfathers, the acclaimed holiday classic from master director Satoshi Kon (Paprika, Perfect Blue) is set in modern-day Tokyo where three homeless people’s lives are changed forever when they discover a baby girl

Michael Auping and Andrea Karnes

In conjunction with the exhibition Modern Masters: A Tribute to Anne Windfohr Marion, Michael Auping, former Chief Curator of the Modern, and Andrea Karnes, current Chief Curator of the Modern, discuss the rich and generous legacy of the Modern’s longtime patron Anne Windfohr Marion. Curated by Auping, the exhibition begins with three renowned works gifted to the Museum from Marion’s collection: Arshile Gorky’s poetic The Plow and the Song, 1947; Willem de Kooning’s bold and historically significant Two Women, 1954–55; and Mark Rothko’s sublime White Band No.