Andrea Karnes in conversation with Laurie Simmons
The strange emotional pull in each picture comes from the artist’s obsessive need to make it. Calvin Tomkins, “A Doll’s House: Laurie Simmons’s Sense of Scale,” New Yorker, December 10, 2012
Iva Kinnaird in conversation with Shelby David Meier
Both artists have what I call, at close range, “real artist” DNA. This means they make unexpected and very clever connections and juxtapositions—the kind the average human does not—that shows up in their work somewhere along a spectrum of abject and sublime. Christina Rees, review of Shelby David Meier & Iva Kinnaird: Make Time, Glasstire, October 9, 2016
Jonathan Marshall
Making things is a process by which to explore a universe out of reach, from within the limitations of our finite form. Jonathan Marshall
Austin-based artist Jonathan Marshall investigates historical perspectives and how they relate to a sense of place, conveying his commitment to making and sharing ideas as a means of declaring one’s presence on this planet at this time, what he sees as the thread that has connected the ancient language of art since its inception.
Robert Buck
[Art] is a free spot in society, where you can do anything. Chris Burden, as quoted in a press release for Robert Beck / Robert Buck: A two-part presentation, Part 1: Robert Beck: Vestige, Ulterior Gallery, New York, 2018
Kambui Olujimi
Olujimi’s work challenges established modes of thinking that commonly function as “inevitabilities.” Brainard Carey in an interview with Kambui Olujimi, Yale Radio, 2018
Dance of Darkness
Dance of Darkness (Director Edin Velez, 1989) is an award-winning documentary on Japanese Butoh which was broadcast nationally in the USA by PBS and internationally in France and Germany by ARTE TV. The dark sensibilities and cultural resonances of Butoh, the radical Japanese dance movement, are explored in this multilayered work. Profoundly rooted in both traditional and contemporary Japanese culture, Butoh arose in a spirit of revolt in the early 1960s.
Sounds from the Strange Forest (soft control)
Living Japanese composers navigate similar tensions to those found in Murakami’s artwork: the dangers and delights of both the natural and technological worlds, the reconciliation of tradition with the global marketplace, and the struggle to preserve the unique sensibility of Japanese culture within a modern context. From Joji Yuasa’s pioneering electronic sounds to the cultural challenges of Ken Ueno’s work, Sounds Modern will present a diverse selection of recent Japanese music that sheds light on the context of Murakami’s work.
- Read more about Sounds from the Strange Forest (soft control)
- Log in to post comments
Chris Powell and Crisman Liverman
Two sessions of this free program are offered, one for ages 5 to 8 and one for ages 9 to 12. Each session is led by an artist who takes participants through informal drawing exercises in relation to works in the Modern’s galleries. Children under the age of 6 must be accompanied by an adult during the program. Bring a sketchbook and pencils. Attendance is limited, so early arrival is encouraged.
First Fridays at the Modern with the Daniel Stone Trio
Take advantage of live music in the Grand Lobby and enjoy music from the Daniel Stone Trio.
Teach Us All
On the eve of the 60th anniversary of the 1957 Little Rock school desegregation crisis, educational inequality remains among the most urgent civil rights issues of our time. With its school district hanging in the balance following a state takeover in January 2015, Little Rock today presents a microcosm of the inequities and challenges manifesting in classrooms all across America. Through case studies in Little Rock, New York City, and Los Angeles, Teach Us All seeks to bring the critical lessons of history to bear on the current state of U.S.