Napping Princess (2017)
A film by Kenji Kamiyama
NR, 110 minutes

Lu Over the Wall (2017)
A film by Masaaki Yuasa

PG, 107 minutes

“A truly sweet, funny, and downright likable comedy.” Brian Tallerico, RogerEbert.com.

Widower and aging Brooklyn hipster Frank starts a band with his teenage daughter, Sam, just before she leaves home to attend college in California. When a song of theirs finds success online, it complicates Frank's attempts to let go of his dreams of stardom and allow his daughter to find her own path in life.

PG-13; 97 minutes

This probing documentary shines a light on what it means to be male in American society, where the definition of masculinity can be extremely narrow. Director Jennifer Siebel Newsom suggests that by expecting our males to behave in very specific ways, we are not only harming our boys and men but also society at large.

Wild and newly single, Julie throws a late-night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.

This new version of August Strindberg’s play Miss Julie, written by Polly Stenham, remains shocking and fiercely relevant in its new setting of contemporary London.

Presented by Amphibian Productions in partnership with the Modern

Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain, exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.

Shakespeare’s most intense and terrifying tragedy, directed by Rufus Norris (The Threepenny Opera, London Road), will see Rory Kinnear (Young Marx, Othello) and Anne-Marie Duff (Oil, Suffragette) return to the National Theatre to play Macbeth and Lady Macbeth.

 The ruined aftermath of a bloody civil war. Ruthlessly fighting to survive, the Macbeths are propelled towards the crown by forces of elemental darkness.

Presented by Amphibian Productions in partnership with the Modern

Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the increasingly desperate and vengeful Creature determines to track down his creator and strike a terrifying deal.

Scientific responsibility, parental neglect, cognitive development and the nature of good and evil, are embedded within this thrilling and deeply disturbing classic tale.

Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them.  Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.

It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.