October 20–22
Friday 3:45 pm, 6 pm, and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
“A film that takes dance as seriously as its protagonists and indeed, Polina contains several beautifully poetic moments that involve choreographed bodies against gorgeous backdrops.” Boyd van Hoeij, Hollywood Reporter.
October 13–15
Friday 4 pm, 6 pm, and 8 pm; Saturday 5 pm; Sunday noon, 2 pm, and 4 pm
October 6–8
Friday 4 and 8 pm (no 6 pm showtime); Saturday 5 pm; Sunday noon, 2 pm, and 4 pm
Manolo is the in-depth portrait of legendary fashion designer Manolo Blahnik and how his extraordinary dedication to his craft led him to become the world's most famous luxury shoemaker.
NR; 90 minutes
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
September 29–October 1
Friday 4 pm, 6 pm, and 8 pm; Saturday 5 pm; Sunday noon, 2 pm, and 4 pm
October 2 & 5, 7 pm (Doors open at 5 pm)
September 22–24
Friday 4 pm, 6 pm, and 8 pm; Saturday 5 pm; Sunday noon, 2 pm, and 4 pm
“Lady Macbeth has the refined, pleasing trappings of a tasteful period piece with the vicious, beating heart of a brutal psychological thriller.” Christy Lemire, RogerEbert.com.
In rural England, 1865, a woman who is trapped in a loveless marriage to a much older man begins a passionate affair with a man her own age.
R; 90 minutes
Steve Coogan and Rob Brydon embark on a six-part episodic road trip through Spain, sampling the restaurants, eateries, and sights along the way.
NR; 115 minutes
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
“This smoothly told tale is more of a character study than a romance, yet should still draw fans of romance fiction who will particularly appreciate Louis Garrel in the role of the dashing lieutenant Andre Sauvage.” Deborah Young, Hollywood Reporter.
Marion Cotillard stars as an idealistic woman trapped in a marriage of convenience in post-World War II France.
R; 116 minutes; French with English subtitles
“Deneuve is a force of nature, open and undone, working in the open-a-vein honesty of Gena Rowlands in A Woman under the Influence or Gloria.” Thelma Adams, New York Observer.
Two of French cinema's biggest stars shine in this bittersweet drama about the unlikely friendship between a talented but tightly wound midwife (Catherine Frot) and her late father’s free-spirited mistress (Catherine Deneuve).
The B-Side: Elsa Dorfman’s Portrait Photography
(And The Umbrella Man)
“[An] enjoyable but also profound movie.” Glenn Kenny, New York Times.
“Hayek gives one of her better performances, though - she makes it clear that Beatriz may be righteous, but she's also more than a bit unhinged - and Lithgow is so good at playing CEO oiliness that you have to smile. He's the man you love to hate.” Peter Rainer, Christian Science Monitor.
