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Gallery Program
Mar 12, 2020

Take advantage of family programming at the Modern over the course of the week while your school-aged children are on Spring Break. Join a docent for a tour and gallery project focusing on the special exhibition, Mark Bradford: End Papers. Attendance is limited to 45 children per session; admission is free.

Studio Programs
Mar 13, 2020

Looking at Red Grooms's Ruckus Rodeo and the Fort Worth Cityscape
Families will work together to build a walkable cardboard-and-paper model of memorable areas of Fort Worth, such as the Stockyards, Sundance Square, and the Cultural District.

This is a free drop-in program; 11 am-4 pm

 

Mar 13, 2020

“[Director] Céline Sciamma's work with the actors here reflects an inspired effort - going far beyond costume and décor - to evoke the inner life of the historical period.”Richard Brody, New Yorker.

France, 1770. Marianne, a painter, is commissioned to do the wedding portrait of a young woman who has just left the convent. She is a reluctant bride-to-be and Marianne must paint her without her knowing. She observes her subject by day to paint her secretly. Céline Sciamma received the award for Best Screenplay at the 2019 Cannes Film Festival.

Mar 13, 2020

“[Director] Céline Sciamma's work with the actors here reflects an inspired effort - going far beyond costume and décor - to evoke the inner life of the historical period.”Richard Brody, New Yorker.

France, 1770. Marianne, a painter, is commissioned to do the wedding portrait of a young woman who has just left the convent. She is a reluctant bride-to-be and Marianne must paint her without her knowing. She observes her subject by day to paint her secretly. Céline Sciamma received the award for Best Screenplay at the 2019 Cannes Film Festival.

Mar 13, 2020

“[Director] Céline Sciamma's work with the actors here reflects an inspired effort - going far beyond costume and décor - to evoke the inner life of the historical period.”Richard Brody, New Yorker.

France, 1770. Marianne, a painter, is commissioned to do the wedding portrait of a young woman who has just left the convent. She is a reluctant bride-to-be and Marianne must paint her without her knowing. She observes her subject by day to paint her secretly. Céline Sciamma received the award for Best Screenplay at the 2019 Cannes Film Festival.

Mar 14, 2020

Recognized for intense, commanding performances, delivered with dazzling virtuosity and technical assurance, violinist Jennifer Koh is a forward-thinking artist dedicated to exploring a broad and eclectic repertoire, while promoting diversity and inclusivity in classical music. She was named 2016 Musical America Instrumentalist of the Year, won top prizes at the Tchaikovsky Competition and Concert Artist Guild Competition, and received an Avery Fisher Career Grant.

Mar 14, 2020

“[Director] Céline Sciamma's work with the actors here reflects an inspired effort - going far beyond costume and décor - to evoke the inner life of the historical period.”Richard Brody, New Yorker.

France, 1770. Marianne, a painter, is commissioned to do the wedding portrait of a young woman who has just left the convent. She is a reluctant bride-to-be and Marianne must paint her without her knowing. She observes her subject by day to paint her secretly. Céline Sciamma received the award for Best Screenplay at the 2019 Cannes Film Festival.

Mar 15, 2020

“[Director] Céline Sciamma's work with the actors here reflects an inspired effort - going far beyond costume and décor - to evoke the inner life of the historical period.”Richard Brody, New Yorker.

France, 1770. Marianne, a painter, is commissioned to do the wedding portrait of a young woman who has just left the convent. She is a reluctant bride-to-be and Marianne must paint her without her knowing. She observes her subject by day to paint her secretly. Céline Sciamma received the award for Best Screenplay at the 2019 Cannes Film Festival.

Mar 15, 2020

“[Director] Céline Sciamma's work with the actors here reflects an inspired effort - going far beyond costume and décor - to evoke the inner life of the historical period.”Richard Brody, New Yorker.

France, 1770. Marianne, a painter, is commissioned to do the wedding portrait of a young woman who has just left the convent. She is a reluctant bride-to-be and Marianne must paint her without her knowing. She observes her subject by day to paint her secretly. Céline Sciamma received the award for Best Screenplay at the 2019 Cannes Film Festival.

Mar 15, 2020

“[Director] Céline Sciamma's work with the actors here reflects an inspired effort - going far beyond costume and décor - to evoke the inner life of the historical period.”Richard Brody, New Yorker.

France, 1770. Marianne, a painter, is commissioned to do the wedding portrait of a young woman who has just left the convent. She is a reluctant bride-to-be and Marianne must paint her without her knowing. She observes her subject by day to paint her secretly. Céline Sciamma received the award for Best Screenplay at the 2019 Cannes Film Festival.

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