Since the beginning of her career in the mid-1980s, Lorna Simpson has become known for her conceptual photographs and videos that question the nature of representation, and challenge historical and preconceived views of racial and sexual identity. Rooted in her longstanding interest in photography and photographic collage, Simpson’s recent paintings incorporate found imagery, often taken from AP photographs and vintage magazines, which the artist overpaints and divides across several panels.
Demand's photographs merge truthful documentation and unsettling artifice - two polarities raised by photography since its inception. For more than two decades, Demand has built intricate, life-size, three-dimensional models made wholly out of colored construction paper and cardboard that faithfully replicate specific architectural spaces and natural settings. He photographs the ephemeral structure and destroys it once the image is made.
Glenn Kaino’s work carefully balances formal and conceptual concerns as the artist combines an often unexpected hybrid of materials in order to best communicate an idea, history, or system that might be less effective with traditional art media. For his FOCUS exhibition, Kaino has created a new body of work with the overarching themes of time and space colonization. The presentation includes pin drawings, an animatronic installation that responds to viewers, and a frozen sculptural portrait of the moon.
The Modern Art Museum of Fort Worth presents Kehinde Wiley: A New Republic, an overview highlighting the range of the artist's prolific 14-year career and comprising approximately 60 works. The exhibition begins with early examples of paintings inspired by Wiley’s observations of street life in Harlem; these images of African-American men mark the onset of his focused exploration of the male figure.
The Modern Art Museum of Fort Worth presents a new installation of the permanent collection. This re-arrangement consists of treasured favorites, rarely seen works from the vault, and new acquisitions.
Mexico City–based artist Mario García Torres creates cinematic narratives that explore obscure histories and personalities associated with conceptual art of the 1960s and 1970s. He presents his projects in a variety of media, including video, installation, photography, and sculpture, and he often uses antiquated technology, such as 16-mm film and slide projections, to parallel the era he is revisiting. For each work, García Torres researches evidence and myths related to relatively unknown events from the larger, more well-known moments of that specific period in art history.
The Modern Art Museum of Fort Worth presents FRAMING DESIRE, an exhibition showcasing over 40 recent acquisitions alongside iconic photographs and videos from the permanent collection. The Museum has acquired key works by Cory Arcangel, Artemio, Larry Clark, Philip-Lorca diCorcia, Rineke Dijkstra, Debbie Grossman, Candida Höfer, Misty Keasler, Ragnar Kjartansson, Vera Lutter, Robert Mapplethorpe, Gordon Matta-Clark, Ryan McGinley, Nicholas Nixon, Catherine Opie, Orit Raff, Laurie Simmons, Allison V. Smith, Arne Svenson, Frank Thiel, and Gillian Wearing.