Lina Wertmüller, 1974
R; 116 minutes; Italian with English subtitles

Class warfare hits the high seas in this Italian comedy about Gennarino (Giancarlo Giannini), a long-suffering crew member who works on a rich couple's yacht. The wife, Raffaela (Mariangela Melato), verbally abuses Gennarino and regularly insults his communist views. But when a day trip leaves the pair stranded at sea, they wash up on a deserted island and Raffaela is, suddenly, no longer the one in control. The role reversal leads to an unexpected and contentious love affair.

Robert Hamer, 1949
104 minutes

When his mother eloped with an Italian opera singer, Louis Mazzini (Dennis Price) was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member (all played by Alec Guinness) who stands between himself and the family fortune. But when he finds himself torn between his longtime love (Joan Greenwood) and the widow of one of his victims (Valerie Hobson), his plans go awry.

Coline Serrau, 1985
PG-13; 106 minutes; French with English subtitles

When a baby is left on their doorstep, hard-partying bachelors Pierre (Roland Giraud), Jacques (André Dussollier), and Michel (Michel Boujenah), experience a serious lifestyle change. Instead of carousing until dawn and chasing women, they're now changing diapers and learning the ins and outs of fatherhood. The baby's mother—one of Jacques' many conquests—has flown to the United States. In the meantime, the trio must protect the child from a mix-up with some drug runners.

Richard Curtis, 2013
R; 124 minutes

When Tim Lake (Domhnall Gleeson) turns 21, his father (Bill Nighy) tells him a secret—the men in their family can travel through time. Although he can't change history, Tim resolves to improve his life by getting a girlfriend. He meets Mary (Rachel McAdams), falls in love, and finally wins her heart via time-travel and a little cunning. However, as his unusual life progresses, Tim finds that his special ability can't shield him and those he loves from the problems of ordinary life.

In Who We Are: A Chronicle of Racism in America Jeffery Robinson faces his largest audience, asking all of us to examine who we are, where we come from, and who we want to be. Anchored by Robinson’s 2018 performance at NYC’s historic Town Hall Theater, the film interweaves historical and present-day archival footage, Robinson’s personal story, and observational and interview footage capturing Robinson’s meetings with Black change-makers and eyewitnesses to history.

In Anselm, Wim Wenders creates a portrait of Anselm Kiefer, one of the most innovative and important painters and sculptors of our time. Shot in 6K-resolution, the film presents a cinematic experience of the artist’s work which explores human existence and the cyclical nature of history, inspired by literature, poetry, philosophy, science, mythology and religion. For over two years, Wenders traced Kiefer’s path from his native Germany to his current home in France, connecting the stages of his life to the essential places of his career that spans more than five decades.