Directed John M. Stahl, 1945
110 minutes

“This demented relationship drama by John M. Stahl, starring the golden era actress Gene Tierney, is the original Fatal Attraction but better, deeper, and darker.” —Kevin Maher, The Times

Directed by Richard Lester, 1973
105 minutes

“What a refreshment to come upon a film as witty and tasteful as it is eye-filling and action-crammed, gorgeously dressed and expertly presented, fit for all ages and/or generations. ”—Judith Crist, New York Magazine/Vulture

Directed by Steve McQueen, 1995
R; 130 minutes
Pay-what-you-can, tickets available online here

Join the Reel House Foundation's Midnight Ramble Film Society for a night of brilliant, unapologetic cinema with Steve McQueen's Widows—a neo-noir heist thriller that burns with rage, grief, and the refusal to accept a rigged system.

Directed by Spike Lee, 1995
R; 128 minutes
Pay-what-you-can, tickets available online here

Directed by Sam Taylor and Fred C. Newmeyer, 1923
NR; 73 minutes

In this classic American silent film, a boy (Harold Lloyd) leaves his small country town and heads to the big city to get a job, promising his sweetheart (Mildred Davis) that she will join him and get married once he makes it big. Soon, his enthusiasm to get ahead leads to some interesting adventures—including one of cinema’s most iconic scenes.

Featuring a live piano score by Lewis Warren Jr.

Directed by Eran Riklis
NR; 107 minutes; English and Persian with English subtitles

"With Reading Lolita in Tehran ... [filmmaker Eran Riklis] adds an understated yet generally absorbing ... entry to his oeuvre, warmly transposing [Azar] Nafisi’s experience in post-revolution Iran onto the screen with sensitivity." —Tomris Laffley, Variety

Directed by Alice Winocour
R; 103 minutes

"Alice Winocour’s captivating fashion drama Couture is a quiet, observational picture about creative women finding solace in one another." —Robert Daniels, Screen Daily

Directed by Daniel Geller and Dayna Goldfine
Documentary; 118 minutes

"A delightful and thoroughly unlikely progression through one of the most colorful artistic moments in recent history." —The Hollywood Reporter

Directed by Sasha Waters Freyer
Documentary; 91 minutes

“An entertaining bio-doc that puts due emphasis on Oliver’s writing, in all its elegant and empathetic simplicity … [The film] makes an affecting case for her work and gives us a vivid look at her world.” — Zachary Barnes, Wall Street Journal