This popular series of lectures and presentations by artists, architects, historians, and critics is free and open to the public each Tuesday from September 12 through November 14 (no lecture October 31).
Visit www.themodern.org/programs/lectures for more information on each talk.
Lectures begin at 7 pm in the Modern Art Museum of Fort Worth's auditorium. Seating begins at 6:30 pm and is limited to 250; a live broadcast of the presentations is shown in Café Modern for any additional guests.
A limited number of tickets (limit two per person) will be available for purchase ($5) from 10 am until 4 pm the day of the lecture online at www.themodern.org/programs/lectures. Free admission tickets (limit two per person) are available at the Modern's information desk beginning at 5 pm on the day of the lecture. The museum galleries remain open until 7 pm on Tuesdays during the series (general admission applies).
Café Modern serves cocktails and appetizers on Tuesday nights during the lecture series.
Revisit the insightful lectures from Tuesday Evenings or discover new ways to look at works in the Museum's collection with the Modern Podcasts. Hear artists speak about their work, or listen to curators' perspectives and discussions, www.themodern.org/podcasts.
SCHEDULE
Artists Linda and Ed Blackburn in conversation with TCU Kay and Velma Kimbell Chair of Art History Mark Thistlethwaite
September 12
Artist Misty Keasler in conjunction with the exhibition Misty Keasler: Haunt
September 19
Sociologist Margee Kerr in conjunction with the exhibition Misty Keasler: Haunt
September 26
Artist Luca Dellaverson
October 3
Artist Margaret Meehan
October 10
Artist Robyn O'Neil in conjunction with the publication of Robyn O'Neil: 20 Years of Drawings
October 17
Sheila Kennedy, FAIA, in conjunction with the Fort Worth AIA Excellence in Architecture Design Awards
October 24
Artist Minerva Cuevas
November 7
Artists Teresa Hubbard and Alexander Birchler
November 14
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The Tuesday Evenings at the Modern lecture series is made possible in part by a grant from the Leo Potishman Foundation.
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