“It's a lyrical and rapturous film — a repressed passion play, funny, delicate and heartbreaking.” Owen Gleiberman, Variety.

“What warmth there is - and it is considerable - radiates from its three lead performers and a script (adapted from Naomi Alderman’s 2006 novel) that treats each of the central characters as neither hero nor villain.” Mark Jenkins, Washington Post.

“Denis’s foray into the often-goofy world of the rom-com is at once a cold bath of realism and a bewitching portrait of the power of love — however fleeting that feeling may be.” David Sims,
The Atlantic

Fresh from her third Oscar nomination, Lady Bird’s Saoirse Ronan stars opposite four-time Academy Award nominee Annette Bening in this sprightly costume drama adapted from Anton Chekhov’s esteemed 1896 play, the heartbreaking and funny story of friends and lovers, all of whom are in love with the wrong person. The movie is timely in its depiction of the tragic consequences of narcissism, particularly on young dreams and romantic love.

PG-13; 98 minutes

“This spry celebration reveals that the real Ginsburg is neither beast nor badass, but an even-tempered, soft-spoken mediator - not typically the traits that inspire rousing high-fives.” Amy Nicholson, Variety.

An intimate portrait of an unlikely rock star: Justice Ruth Bader Ginsburg. With unprecedented access, the filmmakers explore how her early legal battles changed the world for women.

PG; 97 minutes

“Sweet and plummy as a jam tart, Richard Loncraine's gentle late-life romcom rightly counts on its classy cast to get by.” Guy Lodge, Variety.

On the eve of retirement, a middle-class, judgmental snob (Imelda Staunton) discovers her husband has been having an affair with her best friend and is forced into exile with her bohemian sister (Celia Imrie).

PG-13; 109 minutes

“This taut, emotionally wrenching snapshot of both the mythologies and grim realities of war possesses useful reminders about self-deception and abuse of power, especially at a time when bellicose rhetoric and war cabinets seem to be the order of the day. . . .

“The Rider marries the majestic vistas of the greatest American westerns with a deeply interior story of a cowboy having to renegotiate his identity.” Ben Croll, The Wrap.

Based on a true story, The Rider stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident.

R; 105 minutes

“In Final Portrait, Stanley Tucci, directing his first film in 10 years, takes the biopic to an even more exquisitely homespun level of miniature close-up.” Owen Gleiberman, Variety.

“[The Israeli director Samuel Maoz’s Foxtrot] builds into a devastating indictment of a nation, shock by shock, brutal moment by brutal moment.” Manohla Dargis, New York Times.

A man and his wife cope with grief after learning that their son died in the line of duty.

R; 108 minutes; Hebrew with English subtitles