In this panel discussion, What Remains: The Legacy and Future of Confederate Monuments, curator, writer, and artist Dr. Noah Simblist and artist lauren woods converse with American historian Dr. Max Krochmal concerning the ways that communities tell the stories of our shared histories through art, scholarship, archives, and the built environment.
The strange emotional pull in each picture comes from the artist’s obsessive need to make it. Calvin Tomkins, “A Doll’s House: Laurie Simmons’s Sense of Scale,” New Yorker, December 10, 2012
Both artists have what I call, at close range, “real artist” DNA. This means they make unexpected and very clever connections and juxtapositions—the kind the average human does not—that shows up in their work somewhere along a spectrum of abject and sublime. Christina Rees, review of Shelby David Meier & Iva Kinnaird: Make Time, Glasstire, October 9, 2016
Making things is a process by which to explore a universe out of reach, from within the limitations of our finite form. Jonathan Marshall
Austin-based artist Jonathan Marshall investigates historical perspectives and how they relate to a sense of place, conveying his commitment to making and sharing ideas as a means of declaring one’s presence on this planet at this time, what he sees as the thread that has connected the ancient language of art since its inception.
[Art] is a free spot in society, where you can do anything. Chris Burden, as quoted in a press release for Robert Beck / Robert Buck: A two-part presentation, Part 1: Robert Beck: Vestige, Ulterior Gallery, New York, 2018
Olujimi’s work challenges established modes of thinking that commonly function as “inevitabilities.” Brainard Carey in an interview with Kambui Olujimi, Yale Radio, 2018
Dance of Darkness (Director Edin Velez, 1989) is an award-winning documentary on Japanese Butoh which was broadcast nationally in the USA by PBS and internationally in France and Germany by ARTE TV. The dark sensibilities and cultural resonances of Butoh, the radical Japanese dance movement, are explored in this multilayered work. Profoundly rooted in both traditional and contemporary Japanese culture, Butoh arose in a spirit of revolt in the early 1960s.
Living Japanese composers navigate similar tensions to those found in Murakami’s artwork: the dangers and delights of both the natural and technological worlds, the reconciliation of tradition with the global marketplace, and the struggle to preserve the unique sensibility of Japanese culture within a modern context. From Joji Yuasa’s pioneering electronic sounds to the cultural challenges of Ken Ueno’s work, Sounds Modern will present a diverse selection of recent Japanese music that sheds light on the context of Murakami’s work.
Two sessions of this free program are offered, one for ages 5 to 8 and one for ages 9 to 12. Each session is led by an artist who takes participants through informal drawing exercises in relation to works in the Modern’s galleries. Children under the age of 6 must be accompanied by an adult during the program. Bring a sketchbook and pencils. Attendance is limited, so early arrival is encouraged.
Take advantage of live music in the Grand Lobby and enjoy music from the Daniel Stone Trio.
