May 17, 2019

“Madeleine Olnek’s sublime re-examination of Dickinson’s life in Wild Nights with Emily . . . has the distinction of being one of Molly Shannon’s strongest and funniest performances to date as the titular poet. The film, based on more recent biographies, paints Emily as a joyous, witty intellectual stifled by the patriarchy of the 19th century.” Josh Kupecki, The Austin Chronicle. This Victorian dramedy re-imagines the personal life of 19th-century poet Emily Dickinson.

R; 84 minutes

May 17, 2019

“Madeleine Olnek’s sublime re-examination of Dickinson’s life in Wild Nights with Emily . . . has the distinction of being one of Molly Shannon’s strongest and funniest performances to date as the titular poet. The film, based on more recent biographies, paints Emily as a joyous, witty intellectual stifled by the patriarchy of the 19th century.” Josh Kupecki, The Austin Chronicle. This Victorian dramedy re-imagines the personal life of 19th-century poet Emily Dickinson.

R; 84 minutes

Tour
May 17, 2019

The aim of the Slow Art movement is to break with the often frenetic pace of modern life to simply enjoy works of art in a deliberate and unhurried fashion. Slow Art at the Modern invests in this pause with a 30-minute spotlight tour focusing on one work of art. Led by a Modern docent the third Friday of each month, Slow Art at the Modern begins at 5:30 pm.

May 17, 2019

“Madeleine Olnek’s sublime re-examination of Dickinson’s life in Wild Nights with Emily . . . has the distinction of being one of Molly Shannon’s strongest and funniest performances to date as the titular poet. The film, based on more recent biographies, paints Emily as a joyous, witty intellectual stifled by the patriarchy of the 19th century.” Josh Kupecki, The Austin Chronicle. This Victorian dramedy re-imagines the personal life of 19th-century poet Emily Dickinson.

R; 84 minutes

Gallery Program
May 14, 2019 - May 14, 2019

Please join us for a special artist evening at the Modern to celebrate the submissions of the Summer open call Intermediate + the opening of Disappearing–California c. 1970: Bas Jan Ader, Chris Burden, Jack Goldstein. This event is free and open to the public.

May 12, 2019

“As a document of an iconic musician's skills, the film is essential. But Amazing Grace is far more than that: Watching it is a transcendent, spine-tingling, uplifting, utterly joyous experience.” Anastasia Tsioulcas, NPR.

May 12, 2019

“As a document of an iconic musician's skills, the film is essential. But Amazing Grace is far more than that: Watching it is a transcendent, spine-tingling, uplifting, utterly joyous experience.” Anastasia Tsioulcas, NPR.

May 12, 2019

“As a document of an iconic musician's skills, the film is essential. But Amazing Grace is far more than that: Watching it is a transcendent, spine-tingling, uplifting, utterly joyous experience.” Anastasia Tsioulcas, NPR.

May 11, 2019

“As a document of an iconic musician's skills, the film is essential. But Amazing Grace is far more than that: Watching it is a transcendent, spine-tingling, uplifting, utterly joyous experience.” Anastasia Tsioulcas, NPR.

Member Event
May 11, 2019

All Modern members

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