Due to unforeseen circumstances, the Oscar Shorts schedule has been updated.
Friday 3:45 pm ANIMATED, 8 pm LIVE ACTION
Saturday noon and 5 pm ANIMATED; 2 pm LIVE ACTION
Sunday noon and 4:15 pm ANIMATED; 2 pm LIVE ACTION
For the 14th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, a perennial hit with audiences around the country and the world. The Academy Awards take place Sunday, February 24. This is your chance to predict the winners!
Due to unforeseen circumstances, the Oscar Shorts schedule has been updated.
Friday 3:45 pm ANIMATED, 8 pm LIVE ACTION
Saturday noon and 5 pm ANIMATED; 2 pm LIVE ACTION
Sunday noon and 4:15 pm ANIMATED; 2 pm LIVE ACTION
For the 14th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, a perennial hit with audiences around the country and the world. The Academy Awards take place Sunday, February 24. This is your chance to predict the winners!
Due to unforeseen circumstances, the Oscar Shorts schedule has been updated.
Friday 3:45 pm ANIMATED, 8 pm LIVE ACTION
Saturday noon and 5 pm ANIMATED; 2 pm LIVE ACTION
Sunday noon and 4:15 pm ANIMATED; 2 pm LIVE ACTION
For the 14th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, a perennial hit with audiences around the country and the world. The Academy Awards take place Sunday, February 24. This is your chance to predict the winners!
Due to unforeseen circumstances, the Oscar Shorts schedule has been updated.
Friday 3:45 pm ANIMATED, 8 pm LIVE ACTION
Saturday noon and 5 pm ANIMATED; 2 pm LIVE ACTION
Sunday noon and 4:15 pm ANIMATED; 2 pm LIVE ACTION
For the 14th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, a perennial hit with audiences around the country and the world. The Academy Awards take place Sunday, February 24. This is your chance to predict the winners!
Due to unforeseen circumstances, the Oscar Shorts schedule has been updated.
Friday 3:45 pm ANIMATED, 8 pm LIVE ACTION
Saturday noon and 5 pm ANIMATED; 2 pm LIVE ACTION
Sunday noon and 4:15 pm ANIMATED; 2 pm LIVE ACTION
For the 14th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, a perennial hit with audiences around the country and the world. The Academy Awards take place Sunday, February 24. This is your chance to predict the winners!
Due to unforeseen circumstances, the Oscar Shorts schedule has been updated.
Friday 3:45 pm ANIMATED, 8 pm LIVE ACTION
Saturday noon and 5 pm ANIMATED; 2 pm LIVE ACTION
Sunday noon and 4:15 pm ANIMATED; 2 pm LIVE ACTION
For the 14th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, a perennial hit with audiences around the country and the world. The Academy Awards take place Sunday, February 24. This is your chance to predict the winners!
Due to unforeseen circumstances, the Oscar Shorts schedule has been updated.
Friday 3:45 pm ANIMATED, 8 pm LIVE ACTION
Saturday noon and 5 pm ANIMATED; 2 pm LIVE ACTION
Sunday noon and 4:15 pm ANIMATED; 2 pm LIVE ACTION
For the 14th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, a perennial hit with audiences around the country and the world. The Academy Awards take place Sunday, February 24. This is your chance to predict the winners!
Due to unforeseen circumstances, the Oscar Shorts schedule has been updated.
Friday 3:45 pm ANIMATED, 8 pm LIVE ACTION
Saturday noon and 5 pm ANIMATED; 2 pm LIVE ACTION
Sunday noon and 4:15 pm ANIMATED; 2 pm LIVE ACTION
For the 14th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, a perennial hit with audiences around the country and the world. The Academy Awards take place Sunday, February 24. This is your chance to predict the winners!
Renowned photographer James Balog (CHASING ICE) uses his camera to reveal how environmental change is affecting the lives of everyday Americans. Following the four classical elements— air, earth, fire and water— to frame his journey, Balog explores wildfires, hurricanes, sea level rise, coal mining, and the changes in the air we breathe. With compassion and heart, THE HUMAN ELEMENT tells an urgent story while giving inspiration for a more balanced relationship between humanity and nature. Please stay for a Q&A session with producer Olivia Ahnemann in attendance after the screening.
“Some people will say Never Look Away is too long. . . . But much would be sacrificed, and there's something very gratifying about watching an artist discover what he wants to say and how he wants to say it, even when cramped by the society in which he lives.” Sheila O’Malley, RogerEbert.com. A sweeping romantic historical drama, Never Look Away follows 30 years in the life of a great artist - loosely based on Gerhard Richter, one of the 20th century's most admired visual artists - played by Tom Schilling.
“Some people will say Never Look Away is too long. . . . But much would be sacrificed, and there's something very gratifying about watching an artist discover what he wants to say and how he wants to say it, even when cramped by the society in which he lives.” Sheila O’Malley, RogerEbert.com. A sweeping romantic historical drama, Never Look Away follows 30 years in the life of a great artist - loosely based on Gerhard Richter, one of the 20th century's most admired visual artists - played by Tom Schilling.
“Some people will say Never Look Away is too long. . . . But much would be sacrificed, and there's something very gratifying about watching an artist discover what he wants to say and how he wants to say it, even when cramped by the society in which he lives.” Sheila O’Malley, RogerEbert.com. A sweeping romantic historical drama, Never Look Away follows 30 years in the life of a great artist - loosely based on Gerhard Richter, one of the 20th century's most admired visual artists - played by Tom Schilling.
“Some people will say Never Look Away is too long. . . . But much would be sacrificed, and there's something very gratifying about watching an artist discover what he wants to say and how he wants to say it, even when cramped by the society in which he lives.” Sheila O’Malley, RogerEbert.com. A sweeping romantic historical drama, Never Look Away follows 30 years in the life of a great artist - loosely based on Gerhard Richter, one of the 20th century's most admired visual artists - played by Tom Schilling.
“Some people will say Never Look Away is too long. . . . But much would be sacrificed, and there's something very gratifying about watching an artist discover what he wants to say and how he wants to say it, even when cramped by the society in which he lives.” Sheila O’Malley, RogerEbert.com. A sweeping romantic historical drama, Never Look Away follows 30 years in the life of a great artist - loosely based on Gerhard Richter, one of the 20th century's most admired visual artists - played by Tom Schilling.
Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.
Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love.In a tragic fight between devotion and duty, obsession becomes a catalyst for war.
Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.
Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love.In a tragic fight between devotion and duty, obsession becomes a catalyst for war.
Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.
Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love.In a tragic fight between devotion and duty, obsession becomes a catalyst for war.
“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.
R; 88 minutes
“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.
R; 88 minutes
“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.
R; 88 minutes
“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.
R; 88 minutes
“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.
R; 88 minutes
“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.
R; 88 minutes
“The end of the film, like so much that precedes it, is exquisite beyond words.” Joe Morgenstern, Wall Street Journal. Set against the backdrop of the 1950s Cold War in Poland, two people of differing backgrounds and temperaments begin an almost impossible romance.
R; 88 minutes
“An acrobatic, larkish globetrotting adventure about paintings and psychotherapy that defies easy categorization save inclusion on any adult animation fan's must-see list.” Robert Abele,
Los Angeles Times. A psychotherapist suffering violent nightmares inspired by legendary works of art joins forces with four of his patients (expert thieves) to steal the paintings, believing that once he owns them, the nightmares will disappear.
“An acrobatic, larkish globetrotting adventure about paintings and psychotherapy that defies easy categorization save inclusion on any adult animation fan's must-see list.” Robert Abele,
Los Angeles Times. A psychotherapist suffering violent nightmares inspired by legendary works of art joins forces with four of his patients (expert thieves) to steal the paintings, believing that once he owns them, the nightmares will disappear.
“An acrobatic, larkish globetrotting adventure about paintings and psychotherapy that defies easy categorization save inclusion on any adult animation fan's must-see list.” Robert Abele,
Los Angeles Times. A psychotherapist suffering violent nightmares inspired by legendary works of art joins forces with four of his patients (expert thieves) to steal the paintings, believing that once he owns them, the nightmares will disappear.
“An acrobatic, larkish globetrotting adventure about paintings and psychotherapy that defies easy categorization save inclusion on any adult animation fan's must-see list.” Robert Abele,
Los Angeles Times. A psychotherapist suffering violent nightmares inspired by legendary works of art joins forces with four of his patients (expert thieves) to steal the paintings, believing that once he owns them, the nightmares will disappear.
“An acrobatic, larkish globetrotting adventure about paintings and psychotherapy that defies easy categorization save inclusion on any adult animation fan's must-see list.” Robert Abele,
Los Angeles Times. A psychotherapist suffering violent nightmares inspired by legendary works of art joins forces with four of his patients (expert thieves) to steal the paintings, believing that once he owns them, the nightmares will disappear.
“An acrobatic, larkish globetrotting adventure about paintings and psychotherapy that defies easy categorization save inclusion on any adult animation fan's must-see list.” Robert Abele,
Los Angeles Times. A psychotherapist suffering violent nightmares inspired by legendary works of art joins forces with four of his patients (expert thieves) to steal the paintings, believing that once he owns them, the nightmares will disappear.
“An acrobatic, larkish globetrotting adventure about paintings and psychotherapy that defies easy categorization save inclusion on any adult animation fan's must-see list.” Robert Abele,
Los Angeles Times. A psychotherapist suffering violent nightmares inspired by legendary works of art joins forces with four of his patients (expert thieves) to steal the paintings, believing that once he owns them, the nightmares will disappear.
“There are no cut corners, no overly blatant only-in-the-movies gambits. Mikkelsen's stranded pilot has little to rely on beyond his will, so we feel at every step that he could truly be us.” Owen Gleiberman,
“There are no cut corners, no overly blatant only-in-the-movies gambits. Mikkelsen's stranded pilot has little to rely on beyond his will, so we feel at every step that he could truly be us.” Owen Gleiberman,
“There are no cut corners, no overly blatant only-in-the-movies gambits. Mikkelsen's stranded pilot has little to rely on beyond his will, so we feel at every step that he could truly be us.” Owen Gleiberman,
“There are no cut corners, no overly blatant only-in-the-movies gambits. Mikkelsen's stranded pilot has little to rely on beyond his will, so we feel at every step that he could truly be us.” Owen Gleiberman,
“There are no cut corners, no overly blatant only-in-the-movies gambits. Mikkelsen's stranded pilot has little to rely on beyond his will, so we feel at every step that he could truly be us.” Owen Gleiberman,
“There are no cut corners, no overly blatant only-in-the-movies gambits. Mikkelsen's stranded pilot has little to rely on beyond his will, so we feel at every step that he could truly be us.” Owen Gleiberman,
“There are no cut corners, no overly blatant only-in-the-movies gambits. Mikkelsen's stranded pilot has little to rely on beyond his will, so we feel at every step that he could truly be us.” Owen Gleiberman,
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
“With Transit, director Christian Petzold creates a Second World War adventure that is not a sentimental costume drama and a contemporary political parable that is not a didactic sermon - and produces a highly entertaining film into the bargain.” Kate Taylor, Globe and Mail. As fascism spreads, a German refugee flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying.
“With Transit, director Christian Petzold creates a Second World War adventure that is not a sentimental costume drama and a contemporary political parable that is not a didactic sermon - and produces a highly entertaining film into the bargain.” Kate Taylor, Globe and Mail. As fascism spreads, a German refugee flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying.
“With Transit, director Christian Petzold creates a Second World War adventure that is not a sentimental costume drama and a contemporary political parable that is not a didactic sermon - and produces a highly entertaining film into the bargain.” Kate Taylor, Globe and Mail. As fascism spreads, a German refugee flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying.
“With Transit, director Christian Petzold creates a Second World War adventure that is not a sentimental costume drama and a contemporary political parable that is not a didactic sermon - and produces a highly entertaining film into the bargain.” Kate Taylor, Globe and Mail. As fascism spreads, a German refugee flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying.
“With Transit, director Christian Petzold creates a Second World War adventure that is not a sentimental costume drama and a contemporary political parable that is not a didactic sermon - and produces a highly entertaining film into the bargain.” Kate Taylor, Globe and Mail. As fascism spreads, a German refugee flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying.
“With Transit, director Christian Petzold creates a Second World War adventure that is not a sentimental costume drama and a contemporary political parable that is not a didactic sermon - and produces a highly entertaining film into the bargain.” Kate Taylor, Globe and Mail. As fascism spreads, a German refugee flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying.
“With Transit, director Christian Petzold creates a Second World War adventure that is not a sentimental costume drama and a contemporary political parable that is not a didactic sermon - and produces a highly entertaining film into the bargain.” Kate Taylor, Globe and Mail. As fascism spreads, a German refugee flees to Marseille and assumes the identity of the dead writer whose transit papers he is carrying.
In the latest from UK director/writer Michael Winterbottom, Dev Patel stars as a man with a secret forced to go on the run across East Asia after he kidnaps a bride-to-be.
R; 94 minutes
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
In the latest from UK director/writer Michael Winterbottom, Dev Patel stars as a man with a secret forced to go on the run across East Asia after he kidnaps a bride-to-be.
R; 94 minutes
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
In the latest from UK director/writer Michael Winterbottom, Dev Patel stars as a man with a secret forced to go on the run across East Asia after he kidnaps a bride-to-be.
R; 94 minutes
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
In the latest from UK director/writer Michael Winterbottom, Dev Patel stars as a man with a secret forced to go on the run across East Asia after he kidnaps a bride-to-be.
R; 94 minutes
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
In the latest from UK director/writer Michael Winterbottom, Dev Patel stars as a man with a secret forced to go on the run across East Asia after he kidnaps a bride-to-be.
R; 94 minutes
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
In the latest from UK director/writer Michael Winterbottom, Dev Patel stars as a man with a secret forced to go on the run across East Asia after he kidnaps a bride-to-be.
R; 94 minutes
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
“The past hangs over Diane not just as burden or nostalgia (though it can be that, too) but as an enthralling and entangling reminder of life's mystery.” Owen Gleiberman, Variety. A woman (Mary Kay Place) fills her days helping others and desperately attempting to bond with her drug-addicted son.
“The past hangs over Diane not just as burden or nostalgia (though it can be that, too) but as an enthralling and entangling reminder of life's mystery.” Owen Gleiberman, Variety. A woman (Mary Kay Place) fills her days helping others and desperately attempting to bond with her drug-addicted son.
“The past hangs over Diane not just as burden or nostalgia (though it can be that, too) but as an enthralling and entangling reminder of life's mystery.” Owen Gleiberman, Variety. A woman (Mary Kay Place) fills her days helping others and desperately attempting to bond with her drug-addicted son.
“The past hangs over Diane not just as burden or nostalgia (though it can be that, too) but as an enthralling and entangling reminder of life's mystery.” Owen Gleiberman, Variety. A woman (Mary Kay Place) fills her days helping others and desperately attempting to bond with her drug-addicted son.
“The past hangs over Diane not just as burden or nostalgia (though it can be that, too) but as an enthralling and entangling reminder of life's mystery.” Owen Gleiberman, Variety. A woman (Mary Kay Place) fills her days helping others and desperately attempting to bond with her drug-addicted son.
“The past hangs over Diane not just as burden or nostalgia (though it can be that, too) but as an enthralling and entangling reminder of life's mystery.” Owen Gleiberman, Variety. A woman (Mary Kay Place) fills her days helping others and desperately attempting to bond with her drug-addicted son.
“The past hangs over Diane not just as burden or nostalgia (though it can be that, too) but as an enthralling and entangling reminder of life's mystery.” Owen Gleiberman, Variety. A woman (Mary Kay Place) fills her days helping others and desperately attempting to bond with her drug-addicted son.
Set during the tumultuous times of the early 1920s, a Kansas woman (Elizabeth McGovern, Downton Abbey) is forever changed when she chaperones a beautiful and talented 15-year-old dancer, Louise Brooks (Haley Lu Richardson, Split), to New York for the summer. One of them is eager to fulfill her destiny of dance and movie stardom; the other is on a mission to unearth the mysteries of her past. The Chaperone reunites the writer, director, and star of Downton Abbey: Michael Engler, Julian Fellowes, and Elizabeth McGovern (Lady Grantham in the hit series).
Set during the tumultuous times of the early 1920s, a Kansas woman (Elizabeth McGovern, Downton Abbey) is forever changed when she chaperones a beautiful and talented 15-year-old dancer, Louise Brooks (Haley Lu Richardson, Split), to New York for the summer. One of them is eager to fulfill her destiny of dance and movie stardom; the other is on a mission to unearth the mysteries of her past. The Chaperone reunites the writer, director, and star of Downton Abbey: Michael Engler, Julian Fellowes, and Elizabeth McGovern (Lady Grantham in the hit series).
Set during the tumultuous times of the early 1920s, a Kansas woman (Elizabeth McGovern, Downton Abbey) is forever changed when she chaperones a beautiful and talented 15-year-old dancer, Louise Brooks (Haley Lu Richardson, Split), to New York for the summer. One of them is eager to fulfill her destiny of dance and movie stardom; the other is on a mission to unearth the mysteries of her past. The Chaperone reunites the writer, director, and star of Downton Abbey: Michael Engler, Julian Fellowes, and Elizabeth McGovern (Lady Grantham in the hit series).
Set during the tumultuous times of the early 1920s, a Kansas woman (Elizabeth McGovern, Downton Abbey) is forever changed when she chaperones a beautiful and talented 15-year-old dancer, Louise Brooks (Haley Lu Richardson, Split), to New York for the summer. One of them is eager to fulfill her destiny of dance and movie stardom; the other is on a mission to unearth the mysteries of her past. The Chaperone reunites the writer, director, and star of Downton Abbey: Michael Engler, Julian Fellowes, and Elizabeth McGovern (Lady Grantham in the hit series).
Set during the tumultuous times of the early 1920s, a Kansas woman (Elizabeth McGovern, Downton Abbey) is forever changed when she chaperones a beautiful and talented 15-year-old dancer, Louise Brooks (Haley Lu Richardson, Split), to New York for the summer. One of them is eager to fulfill her destiny of dance and movie stardom; the other is on a mission to unearth the mysteries of her past. The Chaperone reunites the writer, director, and star of Downton Abbey: Michael Engler, Julian Fellowes, and Elizabeth McGovern (Lady Grantham in the hit series).
Set during the tumultuous times of the early 1920s, a Kansas woman (Elizabeth McGovern, Downton Abbey) is forever changed when she chaperones a beautiful and talented 15-year-old dancer, Louise Brooks (Haley Lu Richardson, Split), to New York for the summer. One of them is eager to fulfill her destiny of dance and movie stardom; the other is on a mission to unearth the mysteries of her past. The Chaperone reunites the writer, director, and star of Downton Abbey: Michael Engler, Julian Fellowes, and Elizabeth McGovern (Lady Grantham in the hit series).
Set during the tumultuous times of the early 1920s, a Kansas woman (Elizabeth McGovern, Downton Abbey) is forever changed when she chaperones a beautiful and talented 15-year-old dancer, Louise Brooks (Haley Lu Richardson, Split), to New York for the summer. One of them is eager to fulfill her destiny of dance and movie stardom; the other is on a mission to unearth the mysteries of her past. The Chaperone reunites the writer, director, and star of Downton Abbey: Michael Engler, Julian Fellowes, and Elizabeth McGovern (Lady Grantham in the hit series).
