“Denis’s foray into the often-goofy world of the rom-com is at once a cold bath of realism and a bewitching portrait of the power of love — however fleeting that feeling may be.” David Sims,
The Atlantic

“What warmth there is - and it is considerable - radiates from its three lead performers and a script (adapted from Naomi Alderman’s 2006 novel) that treats each of the central characters as neither hero nor villain.” Mark Jenkins, Washington Post.

“What warmth there is - and it is considerable - radiates from its three lead performers and a script (adapted from Naomi Alderman’s 2006 novel) that treats each of the central characters as neither hero nor villain.” Mark Jenkins, Washington Post.

“What warmth there is - and it is considerable - radiates from its three lead performers and a script (adapted from Naomi Alderman’s 2006 novel) that treats each of the central characters as neither hero nor villain.” Mark Jenkins, Washington Post.

Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain, exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.

“It's a lyrical and rapturous film — a repressed passion play, funny, delicate and heartbreaking.” Owen Gleiberman, Variety.

“It's a lyrical and rapturous film — a repressed passion play, funny, delicate and heartbreaking.” Owen Gleiberman, Variety.

“It's a lyrical and rapturous film — a repressed passion play, funny, delicate and heartbreaking.” Owen Gleiberman, Variety.

Directed by Jacques Doillon and focusing on Rodin’s relationship with Camille Claudel, Rodin was selected to compete for the Palme d'Or in the main competition section at the 2017 Cannes Film Festival.

NR; 119 minutes; French with English subtitles

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show

Directed by Jacques Doillon and focusing on Rodin’s relationship with Camille Claudel, Rodin was selected to compete for the Palme d'Or in the main competition section at the 2017 Cannes Film Festival.

NR; 119 minutes; French with English subtitles

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show

“A touching yet wised-up father-daughter road movie that's the best version of this sort of film you could imagine.” Owen Gleiberman, Variety.

“A touching yet wised-up father-daughter road movie that's the best version of this sort of film you could imagine.” Owen Gleiberman, Variety.

“A garish, gorgeous example of pop art at its finest, Yellow Submarine’s reappearance should give a whole new generation a chance to discover the legends.” Caroline Westbrook, Empire.

“A garish, gorgeous example of pop art at its finest, Yellow Submarine’s reappearance should give a whole new generation a chance to discover the legends.” Caroline Westbrook, Empire.

“A garish, gorgeous example of pop art at its finest, Yellow Submarine’s reappearance should give a whole new generation a chance to discover the legends.” Caroline Westbrook, Empire.

Wild and newly single, Julie throws a late-night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.

This new version of August Strindberg’s play Miss Julie, written by Polly Stenham, remains shocking and fiercely relevant in its new setting of contemporary London.

Presented by Amphibian Productions in partnership with the Modern

Shakespeare’s most intense and terrifying tragedy, directed by Rufus Norris (The Threepenny Opera, London Road), will see Rory Kinnear (Young Marx, Othello) and Anne-Marie Duff (Oil, Suffragette) return to the National Theatre to play Macbeth and Lady Macbeth.

 The ruined aftermath of a bloody civil war. Ruthlessly fighting to survive, the Macbeths are propelled towards the crown by forces of elemental darkness.

Presented by Amphibian Productions in partnership with the Modern

Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them.  Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.

Chichester Festival Theatre’s production received five-star reviews for its sell-out run, and transfers to the West End for a limited season.  Jonathan Munby directs this contemporary retelling of Shakespeare’s tender, violent, moving and shocking play.