Jeff Shore and Jon Fisher

I think you and I both fell hard for Jeff Shore and Jon Fisher’s room, which is motion-activated, and the sound aspect of it is crucial. Though they’re also the ones who completely obliterated their cylinder by building a square video projection room inside it. Those guys are so, so good. Christina Rees in “A Conversation About Art and the Silos on Sawyer,” Rainey Knudson and Christina Rees, Glasstire, October 30, 2017

Carroll Dunham

Awareness can feel like a bright island in an ocean of namelessness. The unthought and the unseen wash the shores, leaching into the ground of the mind under sagging frames of reference. There is endless erosion of the coastline, a subversive give-and-take. Objects are soaked with feelings and their identities compromised. Abstractions are contaminated. “Land” in Land, ed. Carroll Dunham (New York: Nolan/Eckman Gallery, 1989). Reprinted in Into Words: The Selected Writings of Carroll Dunham

No Walk on the Beach

Tempest Trio​

“One of the greatest concerts I have heard in my life…They have been compared to the legendary trio of the late pianist Arthur Rubinstein, violinist Jascha Heifetz and cellist Gregor Piatigorsky in the 1940’s.  I thought this was an exaggeration until I heard them.”   Reading Eagle​

Hannah Lash, Composer

The New York Times called American composer and harpist Hannah Lash’s work “striking and resourceful…handsomely brooding,” raving “you hoped to hear it again.” And artists have certainly agreed; her works have been commissioned by numerous orchestras and string quartets, including the Los Angeles Philharmonic, Minnesota Orchestra and JACK Quartet, and performed at the country’s top venues, such as Carnegie Hall, Disney Concert Hall, (Le) Poisson Rouge, Tanglewood Music Center, and Aspen Music Festival.

Michael Auping - 40 Years: Talking and Thinking about Art

Michael Auping is one of the most significant curators of our generation. Through his exhibitions and writings, he has chronicled many of the leading artists of the last decades—often producing definitive treatments on artists from Lucian Freud, Georg Baselitz, and Anselm Kiefer to Frank Stella, Susan Rothenberg, and Bruce Nauman. Auping’s “secret sauce” is his ability to enter the minds and lives of artists, thus grasping not only the artwork itself but its conception, process, and facture. Adam Weinberg, Alice Pratt Brown Director, Whitney Museum of American Art

Sounds Modern Listening In(ward)

Have you ever overheard the private thoughts of a stranger? In this concert, Sounds Modern will present music that projects inward experience out loud. Much as Ron Mueck’s lifelike and detailed sculptures invite their viewers into the psychological experiences of the figures, music of California visionary James Tenney and other innovative composers will invite the audience to listen in(ward) to intimate meditations and conversations.

Souvenir d'InterHarmony at the Modern

At the Modern Art Museum of Fort Worth, Texas, InterHarmony® will present a rare opportunity to compare two titans of the Romantic period through their most beloved chamber works superlatively performed by a roster of internationally acclaimed musicians. On Saturday, March 24 at 2PM Brahms' 1st Piano Trio in B-major will share the stage with Tchaikovsky's String Sextet, Souvenir de Florence.

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