Short Films Block 1
11:45 am–1:30 pm
Multiple filmmakers are confirmed to be in attendance for a Q&A following the screening
Short Films Block 2
2:15–4pm
Multiple filmmakers are confirmed to be in attendance for a Q&A following the screening
In concert with the special exhibition Jenny Saville: The Anatomy of Painting, the Modern is excited to present Framing Movement, in partnership with kNOwBOX dance. This selection of short films delves into themes of embodied painting, reimagining female beauty, connection to art history, physical and virtual realms, and construction and deconstruction of the body. This event is free and open to the public.
Directed by Stephanie Soechtig, 2022
NR, 90 minutes
Fan favorite Louis Lortie joins CMSFW Ensemble veterans Gary Levinson, Michael Klotz, and Inbal Segev, performing two classics of the piano trio repertoire. The Saint-Saëns work is rarely performed. In his debut performance with CMSFW, Asi Matathias, joins the ensemble for Dvořák’s beloved Piano Quintet.
Pre-Concert Lecture at 1:15 pm
Performance at 2 pm
Directed by Sergio Leone, 1967
R; 180 minutes
“Art it is, summoned out of the imagination of [Sergio] Leone and painted on the wide screen so vividly that we forget what marginal productions these films were.” — Roger Ebert, Chicago Sun-Times
Directed by David Miller, 1962
PG; 107 minutes
“The performances are strong. [Walter] Matthau and Gena Rowlands are particularly memorable. But it is Douglas' film. He is a great screen actor, and exerts his presence and believability in the role of the man who wants to keep his soul free.” — George Perry, BBC.com
Directed by Sergio Leone, 1965
R; 132 minutes
“A hard-hitting western with upper-case values out of the busy Italo stable, this is a topnotch action entry.” —Variety
Directed by Sergio Leone, 1964
R; 96 minutes
“Once in a great while a western comes along that breaks new ground and becomes a classic of the genre." —TIME Magazine
Directed by Robert Rodriguez, 1992
R; Spanish with English subtitles; 82 minutes
“[Robert] Rodriguez goes for broke with a breakneck pace, swarms of bullets, cinematic tricks, and a tone as playful as it is knowing of genre conventions. The director's light touch is all his own; and this unpretentious offering delivers in all departments.” —Geoff Andrew, Time Out
Directed by Martin Campbell, 1998
PG-13; 136 minutes
“There are no clever ground-breaking effects, just lashings of good clean fun with desperately devilish baddies, and good guys so fantastic, so clever and witty, that they make you want to weep with pleasure.” —Almar Haflidason, BBC.com
