No Translation Necessary
Purchase tickets online, www.chambermusicfw.org or call 817-877-3003.
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Purchase tickets online, www.chambermusicfw.org or call 817-877-3003.
Misty Keasler
Blackthorne Manor
Terror on the Fox, Green Bay, WI
2016
Misty Keasler
Kitchen
Terror on the Fox, Green Bay, WI
2016
A very different mixture of multi-disciplinary, multi-layered, multi-directional showcased performances and interactive events, including stations where audiences can fulfill suggested tasks or assignments if they like.
Multiple location lighting design by Nikki DeShea Smith
Sounds Modern presents Electric EARth: music to celebrate the art of Doug Aitken, in the auditorium at the Modern on Saturday, June 10 at 2 pm. Sounds Modern celebrates the multiple, shifting, and technically mediated perspectives of Aitken’s art with music by Crumb, Cage, Xenakis, and others that places the listener in a variety of imaginary worlds. From the deep ocean to the center of a charcoal fire, travel with us deep inside the sound worlds of the Electric EARth.
Admissions is free to the public.

The show, with guest artists Wild Rumpus Circus from Wisconsin and the children performers from Amphibian’s Tad-Poles outreach program, celebrates the way stilts are used in traditional dance in various countries around the world, and it will include costumes, storytelling, dance, and music influenced by different cultures: Chinese acrobatics, Mexican folk dances, and Afro-Caribbean rhythms.
Many Hats/One Head - The Accidental Curator
The Meantime: Before Digital, After Analogue
No matter what its imagery has been about—autobiography, ancestry, race, all those things that comprise memory and its inexorable corollary, the passage of time—the art of Annette Lawrence has always been, in some respects, a practice, a concerted making of circles, squares, grids, and spirals. Joel Weinstein, “Mixed-media Artist Has a Line on the Ethereal,” Dallas Morning News, May 27, 2000
Places of a Present Past is filled with an archaeological ethic, metaphorically digging down, both spatially and psychologically in the depths of transnational grief. Noah Simblist, Places of a Present Past