*This is a virtual event. Click here to watch.*

This installment of Modern TV brings together two distinct but connected filmic works in the Modern’s permanent collection: Robert Smithson’s Spiral Jetty, 1970, and Melanie Smith’s Spiral City, 2002.

*This is a virtual event. Click here to watch.*

*This is a virtual event.*

Spend a few minutes diving into Roxy Paine's Conjoined, 2007, from the Modern's collection, in a short video narrated by a docent. 

*This is a virtual event.*

Spend a few minutes exploring Donald Judd's Untitled, 1967, in a short video narrated by a docent.

*This is a virtual event.*

Adults at all skill levels learn with local artists who lead informal activities in response to selected works from the Modern’s permanent collection. Investigate and respond to works of art from the Modern’s galleries from the comfort of your own home. Each online instructional video is uniquely designed so there is something new awaiting you—just show up with a sketchbook and pencils. 

For ages 4-8 and ages 9-12

*This is a virtual event.*

Learn with local artist Lillian Young in an informal project on video. Hands-on exercises relate to works you might remember from visiting the Modern’s galleries or are introduced to here and can look forward to visiting in the future. Projects are designed with household materials in mind.

*This is a virtual event. Click here to watch.*

In hanabi-ra, 2002, Tabaimo uses animation to create a visual haiku relating the cycles of nature to the cycles of human life. This video takes its title from a Japanese phrase meaning "flower petal" and depicts a garden inside a human body. The garden undergoes various seasonal changes, and eventually the figure dissolves, leaving behind only pieces of paper.

*This is a virtual event.*

This week's Slow Art focuses on Bernd and Hilla Becher. The Bechers called their series of photographs “typologies.” By looking at examples from their Water Towers series, this docent-led discussion investigates the way the Bechers’ systematic approach blurs the distinction between photography and conceptual art.