All About Eve

Directed by Joseph L. Mankiewicz, 1950
NR; 138 minutes

All About Eve is not only a brilliant and clever portrait of an actress, it is a downright funny film, from its opening scene to the final fadeout.” —Kate Cameron, New York Daily News

The Women

Directed by George Cukor, 1939
NR; 132 minutes

“The entire cast is so good that it's hard to do any more than hand each individual a separate laurel wreath.” —Globe Staff, Boston Globe

Sideways

Directed by Alexander Payne, 2004
R; 127 minutes

“At the end of the movie we feel like seeing it again.” —Roger Ebert, Chicago Sun-Times

Chocolat

Directed by Lasse Hallstrom, 2000
PG-13; 121 minutes

“[T]he movie disarms you with its charm and its solid craftsmanship ... However familiar, the taste is still sweet, the texture light as a souffle, the sentiments pleasantly high caloric.” —David Ansen, Newsweek

Big Night

Directed by Campbell Scott and Stanley Tucci, 1996
R; 107 minutes

"As delicately and deliciously prepared as the dishes it features, Big Night is a lyric to the love of food, family, and persuasive acting.” —Kenneth Turan, Los Angeles Times

The Last Unicorn

Directed by Jules Bass, 1982
G; 92 minutes

In this animated musical, the villainous King Haggard (voiced by Christopher Lee) plots to destroy all the world's unicorns. When a young unicorn (Mia Farrow) learns that she's in danger and may soon be the last of her kind, she leaves the safety of her protected forest and enlists the help of Schmendrick (Alan Arkin), a gentle but clumsy sorcerer. Together, they embark on a long and dangerous journey with one goal: to defeat Haggard and save the unicorns from extinction.

The Room Next Door

Directed by Pedro Almodóvar
PG-13; 107 minutes

“Swinton and Moore imbue the movie with heart that at first seems elusive, along with the dignity, humanity and empathy that are as much Almodóvar’s subjects here as mortality.” —David Rooney, The Hollywood Reporter

Every Little Thing

Directed by Sally Aitken
NR; 93 minutes

“A shimmering, densely layered film about love and resilience, about how we live with and recover from trauma, and about letting go.” — Andrew Stafford, Guardian

Written and directed by Sally Aitken, this intimate and moving documentary focuses on author and rehabber Terry Masear, who wants to save every injured hummingbird in Los Angeles. Terry takes in the most fragile of patients through her volunteer hummingbird rescue, but the path to survival is fraught with uncertainty and drama.