“Flow might be a digital confection, but it’s also open, alive, elemental. In every sense, it’s a breath of fresh air.” – Robbie Collin, Daily Telegraph (UK)

“Reminiscent of another Pasolini, Pier Paolo, in its minimalist take on a classic story, the film relies mainly on the elemental power of Fiennes and Binoche, both suitably haunting as the long-separated lovers who have lapsed into emotional despair.” —Frank Scheck, Hollywood Reporter

“Hitch feels brought to life again ... there’s a feeling of surprise, invention, and spontaneity." —Indiewire