Composition with Fragments

Submitted by kendal on

Kamrooz Aram
Composition with Fragments, 2017
Pedestal: walnut, linen on mdf, ceramic tiles
Overall: 43 1/2 × 12 × 12 in. (110.49 × 30.48 × 30.48 cm)
Courtesy of the Artist and Green Art Gallery, Dubai

Kamrooz Aram
Ornamental Composition for Social Spaces 16, 2017, 2017
Oil, wax, oil crayon and pencil on canvas
Unframed: 78 × 56 × 1 5/8 in. (198.12 × 142.24 × 4.13 cm)
Courtesy of the Artist and Green Art Gallery, Dubai

Photograph by Kevin Todora

Green Memorial

Submitted by kendal on

Kamrooz Aram
Green Memorial, 2017
Green marble, linen on mdf, ceramic, brass
Overall: 13 × 14 × 14 in. (33.02 × 35.56 × 35.56 cm)
Courtesy of the Artist and Green Art Gallery, Dubai

Photograph by Kevin Todora

Jeff Shore and Jon Fisher

I think you and I both fell hard for Jeff Shore and Jon Fisher’s room, which is motion-activated, and the sound aspect of it is crucial. Though they’re also the ones who completely obliterated their cylinder by building a square video projection room inside it. Those guys are so, so good. Christina Rees in “A Conversation About Art and the Silos on Sawyer,” Rainey Knudson and Christina Rees, Glasstire, October 30, 2017

Carroll Dunham

Awareness can feel like a bright island in an ocean of namelessness. The unthought and the unseen wash the shores, leaching into the ground of the mind under sagging frames of reference. There is endless erosion of the coastline, a subversive give-and-take. Objects are soaked with feelings and their identities compromised. Abstractions are contaminated. “Land” in Land, ed. Carroll Dunham (New York: Nolan/Eckman Gallery, 1989). Reprinted in Into Words: The Selected Writings of Carroll Dunham

No Walk on the Beach

Tempest Trio​

“One of the greatest concerts I have heard in my life…They have been compared to the legendary trio of the late pianist Arthur Rubinstein, violinist Jascha Heifetz and cellist Gregor Piatigorsky in the 1940’s.  I thought this was an exaggeration until I heard them.”   Reading Eagle​

Hannah Lash, Composer

The New York Times called American composer and harpist Hannah Lash’s work “striking and resourceful…handsomely brooding,” raving “you hoped to hear it again.” And artists have certainly agreed; her works have been commissioned by numerous orchestras and string quartets, including the Los Angeles Philharmonic, Minnesota Orchestra and JACK Quartet, and performed at the country’s top venues, such as Carnegie Hall, Disney Concert Hall, (Le) Poisson Rouge, Tanglewood Music Center, and Aspen Music Festival.

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