Modern Art Museum of Fort Worth Presents Laurie Simmons: Big Camera/Little Camera October 14, 2018 - January 27, 2019

FOR IMMEDIATE RELEASE
November 15, 2017 

Modern Art Museum of Fort Worth Presents FOCUS: Kamrooz Aram March 31-June 17, 2018

FOR IMMEDIATE RELEASE
November 8, 2017  

From Vienna to Brotherhood

The brothers Díaz, Roberto, viola, and Andrés, cello, will be joined by husband and wife, Gary Levinson, violin, and Baya Kakouberi, piano.  It is a great honor to have Roberto and Andrés Díaz return to this series.  These stellar musicians will perform works of Mozart, Schumann, and Brahms. Roberto and Andrés are members of the Díaz Trio.​

This concert includes Mozart's Duo for Violin and Viola in G Major.  This work offers the listener an opportunity to hear the viola on an equal footing with the violin.​

Sounds Modern Celebrates 10 Years!

The most up-to-the-minute and least predictable concert music series in the Dallas-Fort Worth area, Sounds Modern celebrates its tenth anniversary with an event on Saturday, December 16 at 2 pm in the Modern's auditorium. Concerts in the series explore the links between contemporary music and visual arts, connecting thematically to exhibitions at the Modern Art Museum of Fort Worth (and other contemporary art venues).

Sheila Kennedy, FAIA

A founding Principal of Kennedy & Violich Architecture Ltd. (KVA), Kennedy has been designated as one of Fast Company’s Masters of Design, described as an “insightful and original thinker who is designing new ways of working, learning, leading and innovating.” MITei news release

Margaret Meehan

My interest in horror is in its evolution and how it served as a salve or catalyst for society to deal with the fear of others. I’m not really interested in slasher films. A lot of my focus is on individuals who in the end are human. Margaret Meehan, “Q+A with Margaret Meehan,” by Rebecca Marino, Conflict of Interest, February 14, 2017

Robyn O’Neil

Is any art that depicts a vivid sense of doom and gloom immediately relevant in 2017? Yes, if Robyn O’Neil’s current solo exhibition The Good Herd is any indication. Previously, the Los Angeles-based artist’s dark surrealism felt like an anachronism. Her drawings in exhibitions like 2011’s Hell were, at once, a throwback to Odilon Redon’s trippy drawings and Edward Gorey’s Goth wit.  Emily Colucci, “You Want It Darker: Robyn O’Neil’s ‘The Good Herd’ at Susan Inglett Gallery,” Art F City, February 23, 2017

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