Lawrence Weiner is one of the foremost figures in Conceptual art, as made clear with the Whitney Museum of American Art’s 2007 retrospective of his work, AS FAR AS THE EYE CAN SEE. For Tuesday Evenings, Weiner presents the work and ideas that have inspired and informed generations of artists and viewers since his 1968 Declaration of Intent: “(1) The artist may construct the piece. (2) The piece may be fabricated. (3) The piece may not be built.

Gene and Jerry Jones, owners of the Dallas Cowboys, are in conversation with the Modern’s chief curator, Michael Auping. When conceiving the new Cowboys Stadium, the Jones family sought to create more than a football stadium. The idea was to build a twenty-first-century coliseum that would engage not only sports, but architecture, design, technology, and art. One of the most exciting aspects of the building is its inclusion of a world-class collection of contemporary art, many of the works created specifically for the new building.

Spencer Finch has received critical acclaim for his work, which has been included in exhibitions spanning the globe, including an ongoing solo exhibition at the Corcoran Gallery of Art in Washington DC; a 2007 solo exhibition, What Time Is It on the Sun at Mass MoCA in Massachusetts; As if the Sea Should Part and Show Another Sea, a 2009 solo exhibition at the Queensland Art Gallery in Brisbane, Australia; and was included in Daniel Birnbaum’s Making Worlds exhibition for the 2009 Venice Biennale.

Coinciding with the exhibition Vernon Fisher: K-Mart Conceptualism, Vernon Fisher discusses the issues at stake in his work of the last 30 years with Dr. Frances Colpitt, an art historian, critic, author, and the Deedie Potter Rose Chair of Art History at Texas Christian University. This Tuesday Evenings presentation is a continuation of the dialogue Fisher and Colpitt have pursued since 2008, in conjunction with Colpitt’s analysis of Fisher’s work in the context of postmodernism.

Artist John Beech, born in England and living in Brooklyn, is recognized for his wry  Duchampian twist on the everyday, producing minimalist sculptures and images that combine humor and beauty in perfect union.

Uta Barth is a photographer who lives and works in Los Angeles, California. Unlike traditional photography where the camera is used as a pointing device for selecting significant moments and places, Barth’s overriding interest is in perception—in vision itself.

Dallas-based architect Brent Brown, AIA, has focused his efforts on bringing “design thinking” to all communities. The founding director of the building community WORKSHOP (bcWORKSHOP), Brown has received a great deal of recognition for his socially conscious design concepts, including the 2007, 2008, and 2010 Awards for Excellence in Community Design and Sustainable Design by AIA/Dallas and most recently, the 2010 National AIA/HUD Secretary Award for Community-Informed Design by the U.S.

Sterling Allen is an artist and cofounder of Okay Mountain gallery in Austin, Texas, whose own work is known for its humor and profundity.

Kristen Morgin is an artist based in Los Angeles who is known for her incredible feats with fired and unfired clay in creating sculptures that conjure the past as they seemingly mimic a variety of enchanting, though a little worse-for-wear, memorabilia. L. A. Times art critic Christopher Knight comments, “Melancholy does not merely waft into the atmosphere from Kristen Morgin's elaborately crafted clay, wire, and wood sculptures.

Mary Ellen Carroll is a conceptual artist living and working in New York City and Houston, Texas, whose career, spanning more than 20 years, has focused on a single, fundamental question: What do we consider a work of art? The results are multifarious, provocative, and often wry outpourings in architecture, writing, performance, photography, filmmaking, printmaking, sculpture, and painting that interrogate the relationship between subjectivity, language, and power.