Masterpieces from Studio Ghibli Full Festival Schedule
Tickets are available online and at the admission desk.
Full Festival Pass

“Martin Scorsese, who helped rescue the British filmmakers’ work from obscurity, is the perfect person to discuss their unique and now beloved work.” —Peter Bradshaw, The Guardian

Martin Scorsese's personal journey through the films of Michael Powell and Emeric Pressburger, the visionary British filmmakers behind classics like The Red Shoes and Black Narcissus, offers a captivating exploration of their genius and enduring influence on cinema.

131 minutes

“[A] polished, well-performed attempt to communicate the seismic impact of Adolf Eichmann’s 1962 execution on Israeli society.” —Jessica Kiang, Variety

“It’s not surprising that Steven Spielberg wanted to do this story for years, packed as it is with the stuff of childhood peril, an alien world, Jewish heartache, and resilience. But we can celebrate now what [director Marco] Bellocchio, a driven old master, has achieved: a heartfelt thriller of intensity and intimacy in which getting saved looks an awful lot like being lost.” —Robert Abele, Los Angeles Times

“Erica Tremblay’s engaging indie drama bills itself as a crime thriller but winds up dedicating most of its energy to the connection between a Seneca-Cayuga teenager and her guardian.” —Peter Debruge, Variety

Following her sister's disappearance, Jax (Lily Gladstone), a Native American hustler, kidnaps her 13-year-old niece, Roki (Isabel Deroy-Olson), from the child's white grandparents and sets out for the state powwow in hopes of keeping what is left of their family intact.

R; 90 minutes

Join Humanities Texas and the Modern Art Museum of Fort Worth for a screening of the award-winning documentary film Seadrift. Following the screening, the film’s director, Tim Tsai, will respond to questions from the audience. This program is free and open to the public.

Screening begins at 7 pm. Doors open at 6:30 pm.

“A dramedy about a construction worker finding comfort in community theater following the death of his son, the movie wrings goofy humor and heart-squeezing sweetness from its gimmicky premise and casting (the central onscreen family is played by an actual offscreen family). Unlike so much “product” on both studio and indie ends of the spectrum, it feels homemade — in the refreshing, and occasionally limiting, ways that adjective implies.” —Jon Frosch, The Hollywood Reporter