Guess Who's Coming to Dinner
Directed by Stanley Kramer, 1967
NR; 108 minutes
“An innately compelling experience.” —Kevin Maher, The Times (UK)
Directed by Stanley Kramer, 1967
NR; 108 minutes
“An innately compelling experience.” —Kevin Maher, The Times (UK)
Directed by René Clément, 1960
PG-13; 118 minutes; French with English subtitles
“René Clément's subversive direction makes us root for [Alain] Delon to pull off a tricky tightrope disguise as suspicious police pursue him from hotel to apartment and town to town.” —Mike Clark, USA Today
Directed by Rainer Werner Fassbinder, 1974
NR; 93 minutes; German with English subtitles
“One of the most beautiful films ever made, plain and simple.”—Tom Huddleston, Time Out
Directed by Ridley Scott, 1991
R; 130 minutes
“Rarely does a commercial success contrive to fire on all cylinders as a piece of pure entertainment, and yet to hit a serious theme squarely on the ignition button.” —David Ansen, Newsweek
Directed by Norman Jewison, 1968
R; 102 minutes
“The Norman Jewison film tells a crackerjack story, well-tooled, professionally crafted and fashioned with obvious meticulous care.” —Variety
Directed by Arthur Penn, 1967
R; 111 minutes
“Depression-era America is a dust bowl of photogenic desperation; the savagery of Bonnie and Clyde’s crime spree is only slightly disarmed by the gallows humour of the screenplay.” —Wendy Ide, The Times (UK)
Join us for "The Delayed Presence of Bo
Join us for an engaging evening with acclaimed artist Alex Da Corte as part of
Celebrate Mom this Mother's Day with an elegant brunch at Café Modern! This upscale brunch buffet features savory dishes like an avocado toast trio, spring vegetable quiche, a custom-built crêpe station, spring pesto pasta, herb-crusted salmon, grilled flank steak, and specialty desserts. Enjoy brunch for $72 for adults and $26 for children.
Directed by Stanley Donen, 1963
NR; 113 minutes
“Few thrillers create as much sheer joy and happiness as Charade, in which Cary Grant spoofs his Alfred Hitchcock persona, Audrey Hepburn exudes her usual magnetic charm, and Paris is as scenic as ever.”— G. Allen Johnson, San Francisco Chronicle