Adult and Teen Studio – Digital and New Media

Thursdays, March 23-April 13 
6-9 pm 

Led by new media artists Melanie Clemmons and Zak Loyd, this class will examine the interplay between art and technology, focusing on themes of glitch, video art, digital identities, and surveillance. Through discussion of the artwork of Nam June Paik, Jacolby Satterwhite, and Molly Soda, among others, and hands-on workshops, participants will gain a deeper understanding of the theoretical and practical aspects of creating art in the digital age.

Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb

This charming documentary focuses on the remarkable fifty-year relationship between two literary legends, writer Robert Caro and his longtime editor Robert Gottlieb. Now 86, Caro is working to complete the final volume of his masterwork, The Years of Lyndon Johnson; Gottlieb, 90, waits to edit it. The task of finishing their life's work looms before them.

Cocktails with the Curator

Modern Contemporaries (The Modern’s Under-Forty Friends!) and Director’s Council members are invited to join Curator Alison Hearst for a special look at the Museum’s newest exhibition, I’ll Be Your Mirror: Art and the Digital Screen, which she organized. Enjoy a relaxed evening of cocktails, hors d’oeuvres, and a private, after-hours tour of the show. Members will have the rare opportunity to ask Alison questions in an informal setting to learn more about the significance of this body of work and how she developed the exhibition.

Valentine’s Bubbles and Bourbon Dinner

Reservations available from 6-8:30 pm.

Our beautiful dining room offers guests views of the iconic Modern grounds through floor to ceiling windows. Enjoy an indulgent tasting menu, crafted by Executive Chef Jett Mora, paired with Garrison Brothers Bourbon and Lallier Champagne. Sample menu items include Artic Char Crudo, Wild Boar Arancini, Flat Iron Steak and a delicate Chocolate with Strawberry Rhubarb and Blackberry Ice Cream to finish the evening.

$105 per person

EO

“Pure, tender cinema is rare nowadays, but EO delivers.” Alejandra Martinez, Austin Chronicle. 

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