Trio Glossía

Trio Glossía, formed in late 2022, is a Denton- and Dallas-based jazz ensemble. Steeped in the traditions of original composition as well as free improvisation, their sound draws on influences including avant-garde/free jazz, harmolodic funk, rock in opposition, chamber music, and hard bop. Free wheeling jazz collides with angular melodies, medications on dark and light, primal screams, and a relentless swing—a musical approach both visceral and meticulously crafted.

A Response to Rashid Johnson, Stage, by TeeDee Simons

Performance artist, choreographer, and producer TeeDee Simons’s response to Rashid Johnson’s Stage, 2026, is a duet that explores the vesica piscis motif—a symbol dating back to Byzantine iconography that often appears in Rashid Johnson’s work. This performance finds inspiration in the symbol as a source for movement-making. The choreography continually returns the two dancers to their inhabited circles, each in conversation with the other.

Waiting to Exhale

Directed by Forest Whitaker, 1995
R; 124 minutes
Pay-what-you-can, tickets available online

In his feature film directorial debut, Forest Whitaker adapts Terry McMillan’s bestselling novel of the same name. As they navigate career, family, and romance, four friends (Angela Bassett, Loretta Devine, Whitney Houston, and Leila Rochon) bond over the shortcomings in their love lives and the scarcity of good men. The cast also includes Gregory Hines, Weldell Pierce, and Kelly Preston.

Dog Day Afternoon

Directed by Sidney Lumet, 1975
R; 125 minutes
Pay-what-you-can, tickets available online

Three amateur robbers plan to hold up a Brooklyn bank. A nice, simple robbery: walk in, take the money, and run. When their accomplice gets nervous and flees, Sonny (Al Pacino) and Sal (John Cazale) see their uncomplicated heist become a bizarre nightmare. Based on a true story, Dog Day Afternoon features funny and heartbreaking performances by an outstanding ensemble cast.

Night of the Living Dead

Directed by George A. Romero, 1968
R; 96 minutes
Pay-what-you-can, tickets available online

A ragtag group of Pennsylvanians barricade themselves in an old farmhouse to remain safe from a horde of flesh-eating ghouls that are ravaging the northeastern United States. Upon its release in 1968, this low-budget independent film became an international success and helped reshape the horror genre.

Sisters

Directed by Brian De Palma, 1972
R; 92 minutes
Pay-what-you-can, tickets available online

After witnessing a murder in a neighboring apartment, a reporter (Jennifer Salt) tries to convince skeptical police that a fashion model and her mysterious twin (both played by Margot Kidder) are hiding a violent secret. Charles Durning co-stars as a private investigator in this critically acclaimed neo-noir classic from the 1970s.

Last Train to Fortune

Directed by Adam Rifkin, 2025
94 minutes

When schoolteacher Cecil Peachtree misses the last train to Fortune, he strikes a deal with outlaw Dooley to secure safe and timely travel. On the journey, the two develop an odd friendship through the power of knowledge.

I Love Boosters

Directed by Boots Riley
R; 115 minutes

“It’s Keke Palmer vs Demi Moore in a fashion smackdown from radically funny director Boots Riley who steals laughs from places you never thought you’d find them.” — Peter Travers, The Travers Take

Tony

Directed by Matt Johnson
R; 106 minutes

“With [Antonio] Banderas particularly touching as [Anthony] Bourdain’s unlikely father figure, Tony immerses us in this sleepy [Provincetown,] Massachusetts community and the character’s gradual artistic awakening.” —Tim Grierson, Screen International

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