LaTasha N. Nevada Diggs is a poet, sound artist, and author of TwERK (Belladonna, 2013).

“The Public Object: On Sculpture and Thingness in Public Space”
What makes an object a sculpture? What makes a thing recognizable as art? How does the public realm shape these questions differently than the white cube?

Sundays with the Modern offers unique perspectives on the Museum’s current exhibitions. Artists, art historians, critics, writers, and architects hold conversations and lead tours in the galleries. This special program is free and begins at 1 pm on the first Sunday of selected month

Triple Canopy is a magazine based in New York. Since 2007, Triple Canopy has advanced a model for publication that encompasses digital works of art and literature, public conversations, exhibitions, and books. This model hinges on the development of publishing systems that incorporate networked forms of production and circulation. Working closely with artists, writers, technologists, and designers, Triple Canopy produces projects that demand considered reading and viewing.

Trenton Doyle Hancock is an artist living and working in Houston, Texas, who has had an impressive career trajectory. Before completing his MFA at the Tyler School of Art, Temple University, in Philadelphia, Pennsylvania, Hancock's work was chosen for the 2000 Whitney Biennial, and his mysterious narrative-based paintings, drawings, and installations have been in demand ever since. The Modern is proud to own a number of the artist's etching portfolios and his impressive large-scale, mixed-media work And The Branches Became As Storm Clouds, 2003.