Jonathan Schipper is a New York–based artist known for large-scale, self-destructing works. Perhaps best known for Slow Inevitable Death of American Muscle,the imperceptibly slow crashing together of two full-sized automobiles over a period of six days that simulates a head-on collision, Schipper is a keen critic of our fast-paced, heedless existence. His methodical deconstruction, and sometimes reconstruction, of daily experience brings our otherwise oblivious existence into sharp focus.

Modern curator Andrea Karnes is in conversation with Misty Keasler and Allison V. Smith, two artists featured in Framing Desire: Photography and Video. This Tuesday Evenings presentation introduces the exhibition and its premise of photography and video conjuring desire as seen specifically within the work of Keasler and Smith, two artists from within our community.

Tom Sachs, described by Emma Allen for the New Yorkeras a “mix of mad scientist, obsessive tinkerer, cult guru, taskmaster general, starry-eyed theoretician, and workout champion,” is an original advocate of bricolage, or DIY, and one of today’s most inspiring and influential sculptors. Best known for elaborate and innovative re-creations of various Modern icons, re-creations that are masterpieces of engineering and design of one kind or another, Sachs explains, “I’m obsessed with innovation.

Philip-Lorca diCorcia, known for creating images poised between documentary and theatrically staged photography, has had a dynamic career with acclaimed international exhibitions, including a major survey of ’his work organized by the Schirn Kunsthalle Frankfurt in 2013 that traveled to the De Pont Museum in Tilburg, Netherlands, and The Hepworth Wakefield in England. DiCorcia employs photography as a fictive medium capable of creating uncanny, complex realities out of seemingly straightforward compositions.

Mario García Torres is a Mexico City–based conceptual artist who addresses the ways in which art and information are constructed over time.

Laurie Simmons is a New York–based artist and filmmaker renowned since the mid-1970s for her psychologically and formally profound work.

Sina Najafi is editor-in-chief of Cabinet magazine, editorial director of Cabinet Books, and, together with Jeffrey Kastner, commissioning editor of the essays for the 2013 Venice Biennale catalogue. Najafi has curated or co-curated a number of exhibitions and projects, including “Odd Lots: Revisiting Gordon Matta-Clark’s Fake Estates” at White Columns and the Queens Museum of Art in New York in 2005, which is the subject of this Tuesday Evenings presentation.