War and Peace and Prejudice and Pride

War and Peace and Prejudice and Pride
(NR, 2013, Appx. 90 minutes)

Admission is FREE. Reservations can be made via EventBrite.com (Enter Latino Americans in the search field.) All seating becomes available first come, first served — regardless of reservation — 15 minutes before the published start time of the program. If you have a reservation, it is recommended that you arrive 30 minutes before the start of the program. A ‘Rush Line’ will be available for those without reservations waiting for seats to become available.

Foreigners in Their Land and Empire of Dream

Foreigners in Their Land and Empire of Dream
(NR, 2013, Appx. 90 minutes)

Admission is FREE. Reservations can be made via EventBrite.com (Enter Latino Americans in the search field.) All seating becomes available first come, first served — regardless of reservation — 15 minutes before the published start time of the program. If you have a reservation, it is recommended that you arrive 30 minutes before the start of the program. A ‘Rush Line’ will be available for those without reservations waiting for seats to become available.

Jessica Fuentes

Learn with local artists as they lead informal basic drawing classes in the galleries. This free class is open to adults at all skill levels—just bring a sketchbook and pencils. Registration is not required, but participants should sign in at the information desk. 2-3:30 pm

Kristen Cochran

Learn with local artists as they lead informal basic drawing classes in the galleries. This free class is open to adults at all skill levels—just bring a sketchbook and pencils. Registration is not required, but participants should sign in at the information desk. 2-3:30 pm

Thomas Demand

THIS LECTURE HAS BEEN CANCELLED

To form something from nearly nothing, to obtain meaning by shaping, is what this picture promises.
Thomas Demand, referring to a photograph of Henri Matisse in his studio, “Thomas Demand on Matisse,” Tate Etc. 31 (Summer 2014)

Fernando Bryce

Minus the gold leaf, they function like pictures with pronounced textual elements — in other words, illustrated manuscripts for the 21st century.
Christian Viveros-Fauné, “Fernando Bryce, One-of-a Kind Copyist, On View in Chelsea,” Village Voice, December 15, 2015.

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