Robyn O’Neil

Is any art that depicts a vivid sense of doom and gloom immediately relevant in 2017? Yes, if Robyn O’Neil’s current solo exhibition The Good Herd is any indication. Previously, the Los Angeles-based artist’s dark surrealism felt like an anachronism. Her drawings in exhibitions like 2011’s Hell were, at once, a throwback to Odilon Redon’s trippy drawings and Edward Gorey’s Goth wit.  Emily Colucci, “You Want It Darker: Robyn O’Neil’s ‘The Good Herd’ at Susan Inglett Gallery,” Art F City, February 23, 2017

Waterfall

Submitted by kendal on

Katherine Bradford
Waterfall, 2017
Acrylic on canvas
Overall: 80 × 136 in. (203.2 × 345.44 cm)
Courtesy of the Artist and CANADA, New York

Beach Comber

Submitted by kendal on

Katherine Bradford
Beach Comber, 2017
Acrylic on canvas
Overall: 80 × 68 in. (203.2 × 172.72 cm)
Courtesy of the Artist and CANADA, New York

Pool, Red Rim

Submitted by kendal on

Katherine Bradford
Pool, Red Rim, 2017
Acrylic on canvas
Overall: 72 × 60 in. (182.88 × 152.4 cm)
Courtesy of the Artist and CANADA, New Yo

Klein’s Pot A

Submitted by kendal on

Takashi Murakami
Klein’s Pot A, 1994-97
Acrylic on canvas mounted on board in plexiglass box (optional)
15 3/8 x 15 3/8 x 3 3/8 in. (39 x 39 x 8.5 cm)
Colección Pérez Simón, Mexico
© 1994-97 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.
Photo: Yoshitaka Uchida

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