Fernando Bryce

Minus the gold leaf, they function like pictures with pronounced textual elements — in other words, illustrated manuscripts for the 21st century.
Christian Viveros-Fauné, “Fernando Bryce, One-of-a Kind Copyist, On View in Chelsea,” Village Voice, December 15, 2015.

Arne Svenson

What persists is an understated elegance and a sensitivity to gesture, color, and composition in fragmentary pictures: a silhouetted figure, a masked face, a veined arm. Presented in an oval format . . . the images might have been spied through a keyhole, and their Old Master allusiveness isn’t contradicted by the suggestion of dust and sweat.
New Yorker
, review of Arne Svenson: The Workers at Julie Saul Gallery, 2015

Outdoor Film at the Modern: THE PRINCESS BRIDE

March 31, 2016

For Immediate Release

Fort Worth, TX

 

Fergus Feehily

Feehily has a very good eye, and knows how to make modesty feel major. And that, evidently, is plenty.                                         
Martin Herbert, review of Fergus Feehily at Stuart Shave/Modern Art, Frieze (October 2011).

Magnolia at the Modern Film Schedule April 29 - June 5

For Immediate Release
March 15, 2016
Fort Worth, TX