Places of a Present Past is filled with an archaeological ethic, metaphorically digging down, both spatially and psychologically in the depths of transnational grief. Noah Simblist, Places of a Present Past
Being the Opposite
We can discuss Orchard as a possible answer to the question about collective and critical art practice today. Establishing a space for different relations between art and the social is political in my understanding. I am not saying that this is the only way in which the political needs to be enacted, but it is one possibility, and Orchard was a concrete and functioning example. Ulrike Müller, in “An Idea-Driven Social Space,” by Andrea Geyer and Ulrike Müller, Grey Room 35, Spring 2009
Guitar Fort Worth Masters at the Modern
For more information and tickets visit www.guitarfortworth.org.
Pre-concert Conversation, 1:15 pm
Artists
Jonathan Gunn, clarinet
Alex Klein, oboe
Enrico Fagone, bass
Michael Klotz, viola
John Owings, piano
Gary Levinson, violin
Allan Steele, cello
For information and tickets, call 817.212.4280 or visit http://www.cliburn.org/event/ben-moore-composer/.
Why Does Fred Sandback’s Work Make Me Want to Be Ridiculous?
Sandback was willing to risk his sculptures being nothing at all, and so he was able to create works of art that feel relevant to everything. Adam Lerner on Fred Sandback
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