John Smith is a British filmmaker living and working in London, where he also teaches part-time as Professor of Fine Art at the University of London. Smith has received notoriety and praise for films that are strongly influenced by the Structural Materialist ideas that dominated British filmmaking during his formative years. Also fascinated by the immersive power of narrative and the spoken word, Smith has developed a body of work that deftly subverts the boundaries between documentary and fiction, representation and abstraction.

Amy Blakemore has been described as an artist who “takes photographs in order to explore the ways in which memory both records and transforms visual information.” (Amy Blakemore: Photographs 1988–2008, Museum of Fine Arts, Houston) Blakemore, trained in the documentary tradition, is known for her small-scale photographs that suggest random snapshots while evoking something personal and poetic, something that puzzles and lingers.

Liam Gillick is an artist living and working in London and New York, and a lecturer at Columbia University, New York, as well as a writer and theorist. Gillick’s sculptures, installations, public projects, film scores, theoretical writing, design objects, and videos often center on social, economic, and political systems, and society's relationships and reactions to such structures.

New York-based artist R. H. Quaytman and art historian Rhea Anastas recount the three-year run of Orchard, a Lower East Side gallery operated by a collective of artists, writers, and film and video makers in their presentation titled, May I Help You? A Short History of Orchard, 2005–2008 and a Spreadsheet.

Kenneth Goldsmith, a New York-based poet whose writing has been described as, “some of the most exhaustive and beautiful collage work yet produced in poetry” by Publishers Weekly, is founding editor of the online archive UbuWeb (ubu.com), and among other endeavors, is also the editor of I'll Be Your Mirror: The Selected Andy Warhol Interviews, which was the basis for the opera, “Trans-Warhol”, that premiered in Geneva in 2007.

Dr. Michael Corris is an artist, art historian, and writer on art. He is a member of the Conceptual art group Art & Language, a founding editor of The Fox and Red-Herring, and an editor of Transmission Annual.

Eve Sussman is an artist living and working in Brooklyn, New York. Her film 89 Seconds at Alcázar stole the show in the 2004 Whitney Biennial; and Rape of the Sabine Women, another film, has been shown internationally with critical acclaim.   For this Tuesday Evenings presentation, the Modern is proud to act as the black-box testing site for the “beta” version of whiteonwhite:algorithmicthriller, the latest work-in-progress by Eve Sussman|Rufus Corporation.

The Bruce High Quality Foundation, the official arbiter of the estate of Bruce High Quality, is dedicated to the preservation of the legacy of the late social sculptor Bruce High Quality. In the spirit of the life and work of Bruce High Quality, it aspires to invest the experience of public space with wonder, to resurrect art history from the bowels of despair, and to impregnate the institutions of art with the joy of man’s desiring.

Michelle White is a writer for Art Papers, a regional editor of Art Lies, and associate curator at the Menil Collection.

William Bruder, AIA, is an award winning artist/architect whose 40-year-old Phoenix, Arizona-based studio, Will Bruder + Partners, has created a distinctive portfolio of residential, multifamily, and cultural buildings.