What is a word for collaboration between material will and human intention that implies generation rather than decay?
Martha Tuttle, artist statement

• Read more about Frank Stella with Michael Auping

Minus the gold leaf, they function like pictures with pronounced textual elements — in other words, illustrated manuscripts for the 21st century.
Christian Viveros-Fauné, “Fernando Bryce, One-of-a Kind Copyist, On View in Chelsea,” Village Voice, December 15, 2015.

What persists is an understated elegance and a sensitivity to gesture, color, and composition in fragmentary pictures: a silhouetted figure, a masked face, a veined arm. Presented in an oval format . . . the images might have been spied through a keyhole, and their Old Master allusiveness isn’t contradicted by the suggestion of dust and sweat.
New Yorker, review of Arne Svenson: The Workers at Julie Saul Gallery, 2015

Feehily has a very good eye, and knows how to make modesty feel major. And that, evidently, is plenty.                                         
Martin Herbert, review of Fergus Feehily at Stuart Shave/Modern Art, Frieze (October 2011).

February 23 – Richard Wentworth, a leading figure in British art since the 1970s, is in dialogue with curator and writer Gavin Morrison to mark the recent publication of Making Do and Getting By.

Docent-led tours in Spanish are offered at 2 pm on the first Sunday of each month, when gallery admission is free. These tours are open to the public and do not require prior arrangements.
Docents are also available to conduct private tours in Spanish, French, German, Mandarin, and American Sign Language when reservations are made at least two weeks in advance.

Docents are available to lead tours of the Modern’s building, designed by the renowned architect Tadao Ando. Group tours can accommodate 10 to 60 people and last approximately one hour; these tours must be scheduled at least two weeks in advance of the requested date. A public architecture tour is offered on the first Saturday of each month at 11 am.