Ages 5-7, June 12 – 16
10am – 2pm
Member $275
Nonmember $330
This camp is led by two artists, and campers rotate between two classrooms of studio instruction. Lunch is provided each day.
Members Early Registration
March 23, 10 am-4 pm in the Modern’s Grand Lobby
Online Registration Begins
March 24, 10 am
“The film...maintains some of its prickly charm, in no small part because of the feisty Rampling, whose ice-queen persona here straddles bone-dry humor and withering tragedy.” Beatrice Loayza, New York Times.
Ruth (Oscar nominee Charlotte Rampling) is a worldly former war correspondent now bored in retirement with a drinking problem and a newly fractured leg. Sam (George Ferrier) is her unruly grandson, recently kicked out of boarding school and grieving the death of his mother. When the two are brought together under the same roof, they form an unexpected bond.
Almost 5, May 30 – June 2 (This class is full.)
9am – noon
Member $200
Nonmember $240
The Modern is excited to offer this special camp to preschoolers. Camp begins with an orientation on the first day, including a tour of the collection, museum facilities, and grounds. The rest of the week focuses on gallery projects with an artist who leads campers to respond to works on view. This camp prepares young children for future camps at the Modern. A snack is provided each day.
Split the Lark — and you'll find the Music —
Bulb after Bulb, in Silver rolled —
Scantily dealt to the Summer Morning
Saved for your Ear when Lutes be old.
Loose the Flood — you shall find it patent —
Gush after Gush, reserved for you —
Scarlet Experiment! Sceptic Thomas!
Now, do you doubt that your Bird was true?
—Emily Dickinson, “Split the Lark — and you’ll find the Music” (861)
We are sandwiched between the “real” world and cyberspace, and through acceleration and diffusion of attention, we accept such changes rapidly. Before doubts are even formed, our thoughts are interrupted by funny videos sent by friends, or by our ecstasy for the hundreds of “likes” that a selfie earns in ten minutes. More is less. Everything is a datum, and everything performs for data. We critique and dance at the same time. By the time we are about to leave this world, we might feel like we have never lived.
Hattie Mae Lesley Resident Artist Scenes Showcase
For more information and tickets, visit https://www.fwopera.org/residentartistshocase.
Presented by the Chamber Music Society of Fort Worth
Lecture 1:15 pm, Concert 2 pm
Czechs are Wild
Agocs | Janáček/Kreutzer | Dvořák
Praised for their “intelligence” and “immensely satisfying” playing by the New York Times, the Amernet String Quartet has garnered recognition as one of today’s exceptional string quartets and are Ensemble-in-Residence at Florida International University in Miami. Strad Magazine described the Amernet as “…a group of exceptional technical ability.”
Presented by the Chamber Music Society of Fort Worth
Lecture 1:15 pm, Concert 2 pm
This concert introduces the listener to a composer, Albert Roussel, who is rarely heard, and two guest artists who are making their debut with CMSFW. Jordan Bak, viola and Alexander Kobrin, piano, join returning artists Gary Levinson, Michael Klotz, Allan Steele and Brian Perry for this performance.
Artists: Gary Levinson, violin; Michael Klotz, violin/viola; Jordan Bak, viola; Alexander Korbin, piano; Allan Steele, cello; Brian Perry, bass
Dance at the Modern: Mimicry
A contemporary ballet on the intersection of the natural and digital world by choreographer Alexandra Light.
April 8 & 9, 1:30-2 pm
Grand Lobby
Open to all; free admission
